In this text Ruskin reduces the art of drawing to its simplest elements - the making of marks, the perception of shapes and silhouettes. His method emphasizes the importance of observation, over and above the production of pictures, and of graduated study. Bernard Dunstan has now written an introduction and a commentary on the text where its relevance today seems to need interpretation, and has added his own drawings and colour exercises to illustrate more fully Ruskins's method and instruction. Whenever Ruskin mentions other painters - Titian, Durer, Turner and so on - as examples, Dunstan reproduces the actual paintings he talks about, or a drawing after the painting.
"Sinopsis" puede pertenecer a otra edición de este libro.
Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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