Asking, "What is a beginning?", this book brings together history, philosophy, structuralism and critical theory in a work of literary criticism. Edward Said differentiates beginning from origin; the latter is divine, mythical and privileged, the former secular, humanly produced and ceaselessly re-examined. During the 18th and 19th centuries, he argues, the novel was the major attempt in Western literary culture to give beginnings an authorizing, institutional and specialized role in art, experience and knowledge. He traces this idea through the late-19th and early-20th centuries - to Freud's discoveries and the novels of modernist authors - and goes on to explore the question of beginnings in critical discourse and the work of the French structuralists. Combining philosophy and belles-lettres, the book refuses to divorce literature from history, philosophy and social discourse, thereby broadening the role of criticism, from celebration and orthodoxy to re-experiencing and questioning. It discusses Dickens, Conrad, Hardy, T.E. Lawrence, Nietzsche, Freud, Vico and Michel Foucault. Edward Said is the author of "Orientalism, Culture and Imperialism" and "Peace and Its Discontents".
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"To understand Edward Said's "Beginnings" is to understand what is most importantly going on in contemporary critical theory, both in America and Europe. An immensely useful book by one of our most brilliant critics." -- Richard Poirier "It is the sense of total independence and, at times, of prophetic vision which makes [ "Beginnings"]... exhilarating." -- "Times Higher Education Supplement" "It is the sense of total independence and, at times, of prophetic vision which makes [ Beginnings ]... exhilarating." -- Times Higher Education Supplement "To understand Edward Said's Beginnings is to understand what is most importantly going on in contemporary critical theory, both in America and Europe. An immensely useful book by one of our most brilliant critics." -- Richard Poirier "Readers...will be surprised, stimulated, instructed, impressed." -- "The New Yorker" To understand Edward Said's "Beginnings" is to understand what is most importantly going on in contemporary critical theory, both in America and Europe. An immensely useful book by one of our most brilliant critics.--Richard Poirier "To understand Edward Said's "Beginnings" is to understand what is most importantly going on in contemporary critical theory, both in America and Europe. An immensely useful book by one of our most brilliant critics." -- Richard Poirier "It is the sense of total independence and, at times, of prophetic vision which makes [ "Beginnings"]... exhilarating." -- "Times Higher Education Supplement"
Asking, "What is a beginning?", this book brings together history, philosophy, structuralism and critical theory in a work of literary criticism. Edward Said differentiates beginning from origin; the latter is divine, mythical and privileged, the former secular, humanly produced and ceaselessly re-examined. During the 18th and 19th centuries, he argues, the novel was the major attempt in Western literary culture to give beginnings an authorizing, institutional and specialized role in art, experience and knowledge. He traces this idea through the late-19th and early-20th centuries - to Freud's discoveries and the novels of modernist authors - and goes on to explore the question of beginnings in critical discourse and the work of the French structuralists. Combining philosophy and belles-lettres, the book refuses to divorce literature from history, philosophy and social discourse, thereby broadening the role of criticism, from celebration and orthodoxy to re-experiencing and questioning. It discusses Dickens, Conrad, Hardy, T.E. Lawrence, Nietzsche, Freud, Vico and Michel Foucault. Edward Said is the author of "Orientalism, Culture and Imperialism" and "Peace and Its Discontents".
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Paperback. Condición: Very Good. Asking, "What is a beginning?", this book brings together history, philosophy, structuralism and critical theory in a work of literary criticism. Edward Said differentiates beginning from origin; the latter is divine, mythical and privileged, the former secular, humanly produced and ceaselessly re-examined. During the 18th and 19th centuries, he argues, the novel was the major attempt in Western literary culture to give beginnings an authorizing, institutional and specialized role in art, experience and knowledge. He traces this idea through the late-19th and early-20th centuries - to Freud's discoveries and the novels of modernist authors - and goes on to explore the question of beginnings in critical discourse and the work of the French structuralists. Combining philosophy and belles-lettres, the book refuses to divorce literature from history, philosophy and social discourse, thereby broadening the role of criticism, from celebration and orthodoxy to re-experiencing and questioning. It discusses Dickens, Conrad, Hardy, T.E. Lawrence, Nietzsche, Freud, Vico and Michel Foucault. Edward Said is the author of "Orientalism, Culture and Imperialism" and "Peace and Its Discontents". The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR003854460
Cantidad disponible: 2 disponibles
Librería: Black Gull Books (P.B.F.A.), St Leonard's on Sea, Reino Unido
Paperback. Condición: Good. Nº de ref. del artículo: 10195
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Librería: AwesomeBooks, Wallingford, Reino Unido
Paperback. Condición: Very Good. Beginnings This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Nº de ref. del artículo: 7719-9781862071605
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Librería: Anybook.com, Lincoln, Reino Unido
Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9781862071605. Nº de ref. del artículo: 9939955
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Librería: Bahamut Media, Reading, Reino Unido
Paperback. Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Nº de ref. del artículo: 6545-9781862071605
Cantidad disponible: 2 disponibles
Librería: Book Bar Wales, Wrexham, Reino Unido
Soft cover. Condición: Very Good. Very little use with prev owner name on inside cover. A clean, tight copy of 416pp. Nº de ref. del artículo: 004676
Cantidad disponible: 1 disponibles
Librería: Adelaide Booksellers, Clarence Gardens, SA, Australia
Trade Paperback. Reprint. Very Good+ condition. Introduction by Michael Wood. 416 pages. Robust, professional packaging and tracking provided for all parcels. Nº de ref. del artículo: 318588
Cantidad disponible: 1 disponibles
Librería: Zardoz Books, Westbury, WILTS, Reino Unido
First Edition. Condición: fine. fine lg trade 1st Granta Books 1997 edition softcover In stock shipped from our UK warehouse. Nº de ref. del artículo: 220817
Cantidad disponible: 1 disponibles
Librería: BOOKHOME SYDNEY, Annandale Sydney, NSW, Australia
1st U.K. ed. Paperback thick octavo, very good condition, pages faintly toned, minor edgewear. 416 pp. Edward W. Said brings together history, philosophy, structuralism and critical theory in a stimulating work of literary criticism. The author argues that during the 18th and 19th centuries, the novel was the major attempt in Western literary culture to give beginnings an authorizing, institutional and specialized role in art, experience and knowledge. He traces this idea through the late 19th and early 20th centuries - to Freud's discoveries and the novels of modernist authors - and examines the question of beginnings in critical discourse, and the work of the French structuralists. He combines philosophy and belles-lettres, and does not separate literature from history, philosophy and social discourse, thereby broadening the role of criticism from celebration and orthodoxy to re-experiencing and questioning. Nº de ref. del artículo: 30296
Cantidad disponible: 1 disponibles