The Post-Subcultures Reader

ISBN 13: 9781859736630

The Post-Subcultures Reader

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9781859736630: The Post-Subcultures Reader
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Críticas:

The Post-Subcultures Reader is a solid textbook for those who want a guide through subcultural theory after the Birmingham Centre's beatification. Youth Studies Australia, vol. 24, no. 3, 2005 This fascinating study ...unpacks the complex and personal meanings of femininity as they are worked through at the level of body and clothes. Juila Twigg, University of Kent

Reseña del editor:

Once it was just Mods and Rockers or Hippies and Skinheads. Now we have Riot Grrls and Rappers; Modern Primitives and Metalheads; Goths, Clubcultures and Fetishists; Urban Tribes, New Age Travellers and Internet fan groups. In a global society with a rapid proliferation of images, fashions and lifestyles, it is -unsurprisingly - becoming increasingly difficult to pinpoint what 'subculture actually means. Enthusiastically adopted by the media and academia, subculture may be a convenient way to describe more unconventional aspects of youth culture, but it does little to help us comprehend the diverse range of youth groups in todays so-called postmodern world. How can we begin to rethink, reformulate and replace outdated notions of subcultures to make them applicable to the experiences of youth in the twenty-first century? And to what extent does this involve the challenging of past orthodoxies about spectacular subcultural styles? From Seattle anarchist punks to UK Asian underground music, Canadian female X-Files fans to Australian dance cultures, this groundbreaking book draws on a wide variety of international case studies to investigate the new relationships among youth subcultural music, politics and taste. Is it possible to work within the existing limitations of subculture, or has the concept exhausted its usefulness? Can attempts at re-conceptualization, such as neo-tribes, sub-streams and micro-networks, adequately capture the experience of fragmentation, flux and fluidity that is central to contemporary youth culture? This timely book is the first to challenge and reconsider the use of subculture. In doing so, it questions the possibility and relevance of what might be termed post-subcultural studies and helps to chart the emergence of a new paradigm for the study of youth subculture.

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Muggleton, David [Editor]; Weinzierl, Rupert [Editor];
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Descripción Bloomsbury Publishing PLC, United Kingdom, 2004. Hardback. Condición: New. Language: English . Brand New Book ***** Print on Demand *****. Once it was just Mods and Rockers or Hippies and Skinheads. Now we have Riot Grrls and Rappers; Modern Primitives and Metalheads; Goths, Clubcultures and Fetishists; Urban Tribes, New Age Travellers and Internet fan groups. In a global society with a rapid proliferation of images, fashions and lifestyles, it is -unsurprisingly - becoming increasingly difficult to pinpoint what subculture actually means. Enthusiastically adopted by the media and academia, subculture may be a convenient way to describe more unconventional aspects of youth culture, but it does little to help us comprehend the diverse range of youth groups in todays so-called postmodern world. How can we begin to rethink, reformulate and replace outdated notions of subcultures to make them applicable to the experiences of youth in the twenty-first century? And to what extent does this involve the challenging of past orthodoxies about spectacular subcultural styles? From Seattle anarchist punks to UK Asian underground music, Canadian female X-Files fans to Australian dance cultures, this groundbreaking book draws on a wide variety of international case studies to investigate the new relationships among youth subcultural music, politics and taste. Is it possible to work within the existing limitations of subculture, or has the concept exhausted its usefulness? Can attempts at re-conceptualization, such as neo-tribes, sub-streams and micro-networks, adequately capture the experience of fragmentation, flux and fluidity that is central to contemporary youth culture? This timely book is the first to challenge and reconsider the use of subculture. In doing so, it questions the possibility and relevance of what might be termed post-subcultural studies and helps to chart the emergence of a new paradigm for the study of youth subculture. Nº de ref. del artículo: APC9781859736630

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Descripción Bloomsbury Publishing PLC, United Kingdom, 2004. Hardback. Condición: New. Language: English . Brand New Book ***** Print on Demand *****.Once it was just Mods and Rockers or Hippies and Skinheads. Now we have Riot Grrls and Rappers; Modern Primitives and Metalheads; Goths, Clubcultures and Fetishists; Urban Tribes, New Age Travellers and Internet fan groups. In a global society with a rapid proliferation of images, fashions and lifestyles, it is -unsurprisingly - becoming increasingly difficult to pinpoint what subculture actually means. Enthusiastically adopted by the media and academia, subculture may be a convenient way to describe more unconventional aspects of youth culture, but it does little to help us comprehend the diverse range of youth groups in todays so-called postmodern world. How can we begin to rethink, reformulate and replace outdated notions of subcultures to make them applicable to the experiences of youth in the twenty-first century? And to what extent does this involve the challenging of past orthodoxies about spectacular subcultural styles? From Seattle anarchist punks to UK Asian underground music, Canadian female X-Files fans to Australian dance cultures, this groundbreaking book draws on a wide variety of international case studies to investigate the new relationships among youth subcultural music, politics and taste. Is it possible to work within the existing limitations of subculture, or has the concept exhausted its usefulness? Can attempts at re-conceptualization, such as neo-tribes, sub-streams and micro-networks, adequately capture the experience of fragmentation, flux and fluidity that is central to contemporary youth culture? This timely book is the first to challenge and reconsider the use of subculture. In doing so, it questions the possibility and relevance of what might be termed post-subcultural studies and helps to chart the emergence of a new paradigm for the study of youth subculture. Nº de ref. del artículo: APC9781859736630

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Publicado por Bloomsbury Publishing PLC, United Kingdom (2004)
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Descripción Bloomsbury Publishing PLC, United Kingdom, 2004. Hardback. Condición: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Once it was just Mods and Rockers or Hippies and Skinheads. Now we have Riot Grrls and Rappers; Modern Primitives and Metalheads; Goths, Clubcultures and Fetishists; Urban Tribes, New Age Travellers and Internet fan groups. In a global society with a rapid proliferation of images, fashions and lifestyles, it is -unsurprisingly - becoming increasingly difficult to pinpoint what subculture actually means. Enthusiastically adopted by the media and academia, subculture may be a convenient way to describe more unconventional aspects of youth culture, but it does little to help us comprehend the diverse range of youth groups in todays so-called postmodern world. How can we begin to rethink, reformulate and replace outdated notions of subcultures to make them applicable to the experiences of youth in the twenty-first century? And to what extent does this involve the challenging of past orthodoxies about spectacular subcultural styles? From Seattle anarchist punks to UK Asian underground music, Canadian female X-Files fans to Australian dance cultures, this groundbreaking book draws on a wide variety of international case studies to investigate the new relationships among youth subcultural music, politics and taste. Is it possible to work within the existing limitations of subculture, or has the concept exhausted its usefulness? Can attempts at re-conceptualization, such as neo-tribes, sub-streams and micro-networks, adequately capture the experience of fragmentation, flux and fluidity that is central to contemporary youth culture? This timely book is the first to challenge and reconsider the use of subculture. In doing so, it questions the possibility and relevance of what might be termed post-subcultural studies and helps to chart the emergence of a new paradigm for the study of youth subculture. Nº de ref. del artículo: BZE9781859736630

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