Sean Scully (born in 1945) is one of the leading painters of our time. His career has been built on an apparently simple recipe of painted stripes and bars, and yet these bricks of colour offer unsettlingly complex possibilities. When Scully writes, his ideas work their own slow magic, and behind the deadpan delivery lurks a concise and considered understanding of the nature of painting and what it means to be an artist in the twenty-first century. This unprecedented collection of Scully writings, interspersed with superb reproductions of the artist's paintings, includes his thoughts on Matisse, Morandi, Newman, Rothko and Van Gogh, alongside lectures given on his own work and his musings on such varied themes as life, love, colour, criticism, creativity and the machinations of the international art world.
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Florence Ingleby is a director of the Ingleby Gallery, Edinburgh. Sean Scully has had over 120 solo exhibitions worldwide. He has studios in New York, London and Barcelona, and in Munich, where he is a part-time professor of painting at the Akademie der Bildenden Kunste.
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Librería: Abacus Bookshop, Pittsford, NY, Estados Unidos de America
hardcover. Well-illustrated Ilustrador. 1st. Tall 8vo, 192 pp., Small spot on the top edge, else fine. Nearly fine copy in fine dust jacket. Nº de ref. del artículo: 090487
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Librería: Midway Book Store (ABAA), St. Paul, MN, Estados Unidos de America
Hardcover. Condición: near fine/near fine. First edition. Large octavo. (9 1/2'x 8") 192pp. A very nice copy in dust jacket. Nº de ref. del artículo: 59812
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Condición: good. Used - Good: A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. Nº de ref. del artículo: CSIV.1858943515.G
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Librería: Mahler Books, PFLUGERVILLE, TX, Estados Unidos de America
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. This book is in very good condition; no remainder marks. Dustjacket does have some shelfwear. Inside pages are clean. ; 7.75 X 0.75 X 9 inches; 192 pages. Nº de ref. del artículo: 08SA25-487-245
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
hardcover. Condición: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized. Nº de ref. del artículo: mon0000264012
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Librería: Parrot Books, Hemel Hempstead, HERT, Reino Unido
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Paperback. Condición: Very Good. Sean Scully (born in 1945) is one of the leading painters of our time. His career has been built on an apparently simple recipe of painted stripes and bars, and yet these bricks of colour offer unsettlingly complex possibilities. When Scully writes, his ideas work their own slow magic, and behind the deadpan delivery lurks a concise and considered understanding of the nature of painting and what it means to be an artist in the twenty-first century. This unprecedented collection of Scully writings, interspersed with superb reproductions of the artist's paintings, includes his thoughts on Matisse, Morandi, Newman, Rothko and Van Gogh, alongside lectures given on his own work and his musings on such varied themes as life, love, colour, criticism, creativity and the machinations of the international art world. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR006902597
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Librería: BennettBooksLtd, San Diego, NV, Estados Unidos de America
hardcover. Condición: New. In shrink wrap. Looks like an interesting title! Nº de ref. del artículo: Q-1858943515
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Librería: Toscana Books, AUSTIN, TX, Estados Unidos de America
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