The Observer described Anne Ridler as 'one of the best poets of her generation'. Anne Ridler's first book, Poems, was published in 1939. She worked on the Faber editorial staff (1935-1940), for a time as assistant to T. S. Eliot. Her poetry developed in the light and shadow of the poets of the day - MacNeice and Auden, but also Durrell and Watkins. Asimportant is a deep affinity with the secular and devotional writers of the sixteenth and seventeenth centuries. Ambitious for her poems, she was never ambitious for reputation. Like that of her friend E.J.Scovell, her work has not received proper recognition until now.
The Listener called her 'a purposeful and undistracted poet, with a maturely consistent technique at her command.' This collection contains all that she wished to preserve from her volumes of lyric poetry, together with the choruses from the play The Trial of Thomas Cranmer, and a masque for music by Elizabeth Maconchy, The Jesse Tree.
She published ten collections of poetry, original and translated opera libretti, including Monteverdi's Orfeo. She was also the author of verse plays which have been performed in Oxford and London. The handsome John Piper cover image was originally drawn for The Jesse Tree.
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Born in 1912, Anne Ridler was educated at Downe House School, in Italy and at King's College, London. She worked on the editorial staff of Faber & Faber, for a time as assistant to T. S. Eliot and later as a freelance reader. She was married to Vivian Ridler, who was Printer to the University of Oxford 1958-1978.
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Paperback. Condición: New. New edition. The Observer described Anne Ridler as 'one of the best poets of her generation'. Anne Ridler's first book, Poems, was published in 1939. She worked on the Faber editorial staff (1935-1940), for a time as assistant to T. S. Eliot. Her poetry developed in the light and shadow of the poets of the day - MacNeice and Auden, but also Durrell and Watkins. Asimportant is a deep affinity with the secular and devotional writers of the sixteenth and seventeenth centuries. Ambitious for her poems, she was never ambitious for reputation. Like that of her friend E.J.Scovell, her work has not received proper recognition until now.The Listener called her 'a purposeful and undistracted poet, with a maturely consistent technique at her command.' This collection contains all that she wished to preserve from her volumes of lyric poetry, together with the choruses from the play The Trial of Thomas Cranmer, and a masque for music by Elizabeth Maconchy, The Jesse Tree.She published ten collections of poetry, original and translated opera libretti, including Monteverdi's Orfeo. She was also the author of verse plays which have been performed in Oxford and London. The handsome John Piper cover image was originally drawn for The Jesse Tree. Nº de ref. del artículo: LU-9781857543179
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Paperback. Condición: new. Paperback. She has published ten collections of poetry, original and translated opera libretti, including Monteverdi's 'Orfeo'. She is the author of verse plays which have been performed in Oxford and London. This volume contains all that she wishes to preserve of her lyric poetry, together with choruses from the play 'The Trial of Thomas Cranmer'and a masque for music by Elizabeth Maconchy, 'The Jesse Tree'. She has published ten collections of poetry, original and translated opera libretti, including Monteverdi's 'Orfeo'. She is the author of verse plays which have been performed in Oxford and London. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781857543179
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