Mark Rothko (1903-1970) was one of a small group of great artists who helped establish New York as the dominant centre of world art in the 1950s, where he was one of the leading artists of the American-led Abstract Expressionist movement. Rothko's work was considered controversial in his elimination of line, leaving only colour to convey content. He remarked that he was "no colourist" and that to think so was to misunderstand his art, yet colour was his sole medium. At his death in 1970 Rothko left an immense store of paintings which became the subject of a celebrated lawsuit that brought the artist, his work and associates into the public eye. This book, first published to coincide with a major exhibition of Rothko's work in 1987, contains essays by two major scholars of the period, Professor Robert Rosenblum and Irving Sandler, along with contributions by two members of the Rothko Foundation, Bonnie Clearwater and Dana Cramer. Contributions from Michael Compton, then Keeper of Museum Services at the Tate Gallery, and leading critics David Sylvester and Robert Goldwater are also included. The bibliography and exhibition history have been fully updated for this edition.
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Mark Rothko (1903-1970) was one of a small group of great artists who helped establish New York as the dominant centre of world art in the 1950s, where he was one of the leading artists of the American-led Abstract Expressionist movement. Rothko's work was considered controversial in his elimination of line, leaving only colour to convey content. He remarked that he was "no colourist" and that to think so was to misunderstand his art, yet colour was his sole medium. At his death in 1970 Rothko left an immense store of paintings which became the subject of a celebrated lawsuit that brought the artist, his work and associates into the public eye. This book, first published to coincide with a major exhibition of Rothko's work in 1987, contains essays by two major scholars of the period, Professor Robert Rosenblum and Irving Sandler, along with contributions by two members of the Rothko Foundation, Bonnie Clearwater and Dana Cramer. Contributions from Michael Compton, then Keeper of Museum Services at the Tate Gallery, and leading critics David Sylvester and Robert Goldwater are also included. The bibliography and exhibition history have been fully updated for this edition.
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Librería: W. Lamm, Los Angeles, CA, Estados Unidos de America
Soft cover. Condición: Very Good. Numerous full page color plates. Contributions by Irving Sandler, Robert Rosenblum, Robert Goldwater and others, including writings and comments by the artist. ; Tight, clean and crisp. A hint of very light shelf wear to spine ends, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to; 206 pages. Nº de ref. del artículo: 33278
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Condición: Used - Very Good. VG paperback. 1999 reprint with numerous colour illustrations; spine and cover uncreased; a clean, tidy copy. Nº de ref. del artículo: BOOKS308406I
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Librería: Ryde Bookshop Ltd, Isle of Wight, Reino Unido
Soft cover. Condición: Fine. Works by Mark Rothko Ilustrador. 2nd Edition. First published for the exhibition at the Tate Gallery 17th of June-1st September 1987. Nº de ref. del artículo: 010989
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Soft cover. Condición: Very Good. No Jacket. 1997 reprint of the 1996 revised edition. Softcover. Condition: Very good, with very light shelfwear to covers. No inscriptions. 206pp. Mark Rothko was one of a small group of great artists who helped establish New York as the dominant centre of the art world in the 1950s, where he was one of the leading artists of the American-led Abstract Expressionist movement. This book, first published to coincide with a major exhibition of Rothko's work in 1987 is now considered a classic text, and contains over 90 colour plates spanning a period of nearly 40 years. Nº de ref. del artículo: 008481
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