Radio has given all of us some great moments of drama, moments so engaging that we have escaped from our own world into another, and forgotten, too, that the broadcast world is underlain by finely-tuned writing.
Radio Scriptwriting reminds us of the skills, the issues, the invention, the teamwork and the individual brilliance required to produce a memorable broadcast. From individual plays, short and long, through adaptations of novels, to series like The Archers, these essays take the reader behind the scenes and reveal the mechanics of producing the finished script from which the production team can make good radio.
The distinguished contributors write from the viewpoint of either writer or producer - allowing the reader to make some interesting comparisons - to give their strongly-held and passionately-argued views on what makes a good radio script.
Sam Boardman-Jacobs is Reader in Theatre and Media Drama at the University of Glamorgan where he jointly runs the MA in Scriptwriting.
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"This collection of essays draws together radio writers and producers to comment on and explore the various genres and techniques in broadcast writing. Their varied experiences and personal insights into the way radio works results in invaluable and often humorous advice on how to write a script and get it broadcast. Contributors include Louise Page, Mick Martin, Nick McCarty, Mark Brazened, Sue Teddern, Christopher Hawes, D. A. Barham, Tanya Nash, and Penny Leicester."
Sam Boardman-Jacobs has written widely for radio, including the popular British radio drama The Archers.
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