With an Introduction and Notes by Katherine McGowran.
Christina Rossetti is widely regarded as the most considerable woman poet in England before the twentieth century. No reading of nineteenth century poetry can be complete without attention to this prolific and popular poet. Rosetti's inner life dominates her poetry, exploring loss and unattainable hope.
Her divine poems have a freshness and toughness of thought, while many of her love poems are erotic, and as often express love for women as for men. The varied threads of Rossetti's concerns are drawn together in what is perhaps her greatest poem, the strange and ambiguous 'Goblin Market'.
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Christina Rossetti is widely regarded as the most considerable woman poet in England before the twentieth century. No reading of nineteenth century poetry can be complete without attention to this prolific and popular poet. Rosetti's inner life dominates her poetry, exploring loss and unattainable hope. Her divine poems have a freshness and toughness of thought, while many of her love poems are erotic, and as often express love for women as for men. The varied threads of Rossetti's concerns are drawn together in what is perhaps her greatest poem, the strange and ambiguous 'Goblin Market'.
Christina Georgina Rossetti was born in London on December 5, 1830. Along with being a young poet, Rossetti also became an Italian professor at King's College, University of London. Rossetti's intense devotion to religion showed in her various works, including ""Uphill,"" her most famous work. Overall, Rossetti did not publish much, but she did submit her first volume of poetry, Goblin Market and Other Poems. Christina Georgina Rossetti died in London on December 29, 1894.
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