Offers a range of approaches and case studies whose organizing principle is the developing idea of polycentrism as applied to cinema. In this title, the authors refine and redefine key concepts in film studies, including identification and identity, narrative and realism, allegory and the national project, auteurism and the popular, art and genre.
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Lúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cinemas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima's Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (EstaçãoLiberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990).
Chris Perriam Professor of Hispanic Studies,University of Newcastle upon Tyne
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Librería: Anybook.com, Lincoln, Reino Unido
Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781848854925. Nº de ref. del artículo: 7075291
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Librería: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Reino Unido
Condición: Very Good. This book does not come with a the dust jacket, the cover is in very good condition with minor shelf ware such as creasing, otherwise the content is in very good condition. Nº de ref. del artículo: HP-30660
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Librería: Pearlydewdrops, Streat, Reino Unido
hardcover. Condición: Very Good. New and unread, however the dust jacket is missing. There is some light shelf wear to cover Shipped from the UK within 2 business days of order being placed. Nº de ref. del artículo: mon0000310980
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Librería: Brook Bookstore On Demand, Napoli, NA, Italia
Condición: new. Nº de ref. del artículo: 61a1fce9b1eb426beb2366b220ba2789
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. Offers a range of approaches and case studies whose organizing principle is the developing idea of polycentrism as applied to cinema. In this title, the authors refine and redefine key concepts in film studies, including identification and identity, narrative and realism, allegory and the national project, auteurism and the popular, art and genre. Editor(s): Nagib, Lucia; Perriam, Chris; Dudrah, Rajinder. Series: Tauris World Cinema Series. Num Pages: 288 pages, 20 bw integrated illustrations. BIC Classification: APFA; JFD. Category: (UU) Undergraduate. Dimension: 161 x 241 x 25. Weight in Grams: 544. . 2011. Hardcover. . . . . Nº de ref. del artículo: V9781848854925
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Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. pp. 288. Nº de ref. del artículo: 58221302
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: HU-9781848854925
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Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: HU-9781848854925
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Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Hardback. Condición: New. This innovative book is about the place of world cinema in the cultural imaginary. It also repositions world cinema in a wider discursive space than is usually the case and treats it as an object of theoretical enquiry, rather than as a commercial label. The editors and distinguished group of contributors offer a range of approaches and case studies whose organizing principle is the developing idea of polycentrism as applied to cinema. They refine and redefine key concepts in film studies, including identification and identity, narrative and realism, allegory and the national project, auteurism and the popular, art and genre. They re-evaluate how cinema shapes and responds to the philosophical, cultural and political effects of transnationalism and cosmopolitanism in the age of the moving image, and explore the interconnectedness of films produced worldwide, as well as the links between cinema and other visual cultural forms. The contributors include: John Caughie, Felicia Chan, Tiago de Luca, Rajinder Dudrah, Song Hwee Lim, Laura Mulvey, Lucia Nagib, Geoffrey Nowell-Smith, Chris Perriam, Ashish Rajadhyaksha, Paul Julian Smith, and Ismail Xavier. Nº de ref. del artículo: LU-9781848854925
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Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 229 pages. 9.25x6.25x0.75 inches. In Stock. Nº de ref. del artículo: __1848854927
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