In Floating Lanterns, her eighth poetry collection, Mercedes Roffé draws from creation myths, sacred texts, philosophy and poetry that meditates upon human nature and our propensity for evil. This book brings together Buddhism, Tibetan Yoga, the Judeo-Christian Bible, the Kabbalah, Plato’s Republic, T. S. Eliot, Beat poets, the oral traditions of Medieval Spain and Native North American cosmogonies.What binds these diverse materials is Roffé’s use of anaphora. Anaphora emphasizes meaning in the repetition of a word or concept. However, as each word is repeated, it lets meaning go, allowing the word to materialize in such a way that it bears sound more fully.... Through anaphora Roffé thus recalls the process of language building in the face of destruction. When catastrophes level cities, bodies and our loved ones, language too is leveled in our screams. However... poetic techniques can remind us of our subjective capacity to construct language again. They offer the possibility, or at least the hope, that a broken language, and from there the broken body, might also be remembered whole even if it is never to be recuperated. -Anna Deeny
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Mercedes Roffé (Buenos Aires, 1954) is one of Argentina's most important and internationally recognized contemporary poets. Her works include Poemas (1977), El tapiz (published under the heteronym, Ferdinand Oziel, 1983), Cámara baja (1987; 1996), La noche y las palabras (1996; 1998), Definiciones Mayas (1999), Antología poética (2000), Canto errante (2002), Memorial de agravios (2002), La ópera fantasma (2005; 2012), Las linternas flotantes (2009) and the volume of selected works, Milenios caen de su vuelo (2005). Mansión nocturna, a second volume of collected works, is forthcoming from Monte ávila in 2015. Among other distinctions, Roffé was awarded a John Simon Guggenheim Memorial Fellowship in poetry (2001) and, more recently, a Civitella Ranieri Foundation Center residency fellowship (2012). Roffé lives in New York City and is the founding director of Ediciones Pen Press.
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Paperback. Condición: New. When Las linternas flotantes (Floating Lanterns) was first published, in 2009, Mercedes Roffe explained that the book was "a reaction to things that left us speechless: September 11, Argentina's economic debacle that led to long months of national and individual hardship and incertitude, the tsunami, Hurricane Katrina, and so many things that seemed to come together in just a few years, things that were so disastrous for the whole world." Like Jeremiah, the prophet of the Book of Lamentations, who mourns the destruction of Jerusalem through the use of acrostics, dirge and communal lament, Roffe, of Sephardic Jewish origins, attends to these "things that left us speechless" through elegy and meditation. Nº de ref. del artículo: LU-9781848613720
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