Derrida wrote a vast number of texts for particular events across the world, as well as a series of works that portray him as a voyager. As an Algerian migr , a postcolonial outsider, and an idiomatic writer who felt tied to a language that was not his own, and as a figure obsessed by the singularity of the literary or philosophical event, Derrida emerges as one whose thought always arrives on occasion. But how are we to understand the event in Derrida? Is there a risk that such stories of Derridas work tend to misunderstand the essential unpredictability at work in the conditions of his thought? And how are we to reconcile the importance in Derrida of the unknowable event, the pull of the singular, with deconstructions critical and philosophical rigour and its claims to rethink more systematically the ethico-political field. This book argues that this negotiation in fact allows deconstruction to reformulate the very questions that we associate with ethical and political responsibility and shows this to be the central interest in Derridas work.
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Simon Wortham is Professor of English and co-director of the London Graduate School at Kingston University London, UK.
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Librería: Yes Books, Portland, ME, Estados Unidos de America
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Librería: Pistil Books Online, IOBA, Seattle, WA, Estados Unidos de America
Hard Cover. Condición: Near Fine. Book is in excellent condition with slight scuffing of covers the only flaw, otherwise as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 145 pages, a study of Derrida's major texts as singular writing events rather than a unified system, reading works from Of Grammatology through Specters of Marx and Archive Fever to argue that each enacts deconstruction differently and that Derrida's thought resists reduction to method or doctrine. Keywords: Grammatology Origins, Speech Writing, Of Hospitality, Gift of Death, Specters of Marx, Archive Fever, Circumfession, Aporia Borders, Signature Event Context, Living On Borderlines, University Humanities, Deconstruction Events. Nº de ref. del artículo: 160564
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