As blockbusters employ ever greater numbers of dazzling visual effects and digital illusions, this book explores the material roots and stylistic practices of special effects and their makers.
Gathering leading voices in cinema and new media studies, this comprehensive anthology moves beyond questions of spectacle
to examine special effects from the earliest years of cinema, via experimental film and the Golden Age of Hollywood, to our
contemporary transmedia landscape.
Wide-ranging and accessible, this book illuminates and interrogates the vast array of techniques film has used throughout its history to conjure spectacular images, mediate bodies, map worlds and make meanings.
Foreword by Scott Bukatman, with an Afterword by Lev Manovich.
"Sinopsis" puede pertenecer a otra edición de este libro.
Dan North is an independent scholar. He is the author of Performing Illusions (2008) and editor of Sights Unseen (2008).
Bob Rehak is Associate Professor in the Department of Film and Media Studies at Swarthmore College, USA.
As blockbusters employ ever greater numbers of dazzling visual effects and digital illusions, this book explores the material roots and stylistic practices of special effects and their makers.
Gathering leading voices in cinema and new media studies, this comprehensive anthology moves beyond questions of spectacle"Sobre este título" puede pertenecer a otra edición de este libro.
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Paperback. Condición: New. As blockbusters employ ever greater numbers of dazzling visual effects and digital illusions, this book explores the material roots and stylistic practices of special effects and their makers. Gathering leading voices in cinema and new media studies, this comprehensive anthology moves beyond questions of spectacleto examine special effects from the earliest years of cinema, via experimental film and the Golden Age of Hollywood, to ourcontemporary transmedia landscape.Wide-ranging and accessible, this book illuminates and interrogates the vast array of techniques film has used throughout its history to conjure spectacular images, mediate bodies, map worlds and make meanings. Foreword by Scott Bukatman, with an Afterword by Lev Manovich. Nº de ref. del artículo: LU-9781844575176
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Paperback. Condición: new. Paperback. As blockbusters employ ever greater numbers of dazzling visual effects and digital illusions, this book explores the material roots and stylistic practices of special effects and their makers. Gathering leading voices in cinema and new media studies, this comprehensive anthology moves beyond questions of spectacleto examine special effects from the earliest years of cinema, via experimental film and the Golden Age of Hollywood, to ourcontemporary transmedia landscape.Wide-ranging and accessible, this book illuminates and interrogates the vast array of techniques film has used throughout its history to conjure spectacular images, mediate bodies, map worlds and make meanings. Foreword by Scott Bukatman, with an Afterword by Lev Manovich. As blockbusters employ ever greater numbers of dazzling visual effects and digital illusions, this book explores the material roots and stylistic practices of special effects and their makers. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781844575176
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