Dubliners (Pulp! the Classics) - Tapa blanda

Joyce, James

 
9781843443308: Dubliners (Pulp! the Classics)

Sinopsis

Stuck in the Liffey with you...

Booze, Sex and Hot Floury Potatoes... Those Dubliners are at it again!

Liars, thieves, whores and priests... James Joyce sure knew how to throw a party! This relentlessly downbeat collection explores the very worst aspects of human nature, and doesn't leave out the juicy bits. It might not be in the best possible taste, but who doesn't want to get down and dirty in Dublin?

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Acerca de los autores

James Joyce was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde. Joyce is best known for Ulysses with other works including Finnegans Wake and A Portrait of the Artist as a Young Man.



David Mann is an artist and illustrator who studied illustration at the Cambridge School of Art. He has previously illustrated for both publishers and corporate clients. He lives in Hertfordshire.

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Dubliners

By James Joyce

Oldcastle Books

Copyright © 2014 James Joyce
All rights reserved.
ISBN: 978-1-84344-330-8

CHAPTER 1

THE SISTERS


There was no hope for him this time: it was the third stroke. Night after night I had passed the house (it was vacation time) and studied the lighted square of window: and night after night I had found it lighted in the same way, faintly and evenly. If he was dead, I thought, I would see the reflection of candles on the darkened blind for I knew that two candles must be set at the head of a corpse. He had often said to me: 'I am not long for this world,' and I had thought his words idle. Now I knew they were true. Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears, like the word gnomon in the Euclid and the word simony in the Catechism. But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work.

Old Cotter was sitting at the fire, smoking, when I came downstairs to supper. While my aunt was ladling out my stirabout he said, as if returning to some former remark of his:

'No, I wouldn't say he was exactly ... but there was something queer ... there was something uncanny about him. I'll tell you my opinion ...'

He began to puff at his pipe, no doubt arranging his opinion in his mind. Tiresome old fool! When we knew him first he used to be rather interesting, talking of faints and worms; but I soon grew tired of him and his endless stories about the distillery.

'I have my own theory about it,' he said. 'I think it was one of those ... peculiar cases ... But it's hard to say ...'

He began to puff again at his pipe without giving us his theory. My uncle saw me staring and said to me:

'Well, so your old friend is gone, you'll be sorry to hear.'

'Who?' said I.

'Father Flynn.'

'Is he dead?'

'Mr Cotter here has just told us. He was passing by the house.'

I knew that I was under observation so I continued eating as if the news had not interested me. My uncle explained to old Cotter.

'The youngster and he were great friends. The old chap taught him a great deal, mind you; and they say he had a great wish for him.'

'God have mercy on his soul,' said my aunt piously.

Old Cotter looked at me for a while. I felt that his little beady black eyes were examining me but I would not satisfy him by looking up from my plate. He returned to his pipe and finally spat rudely into the grate.

'I wouldn't like children of mine,' he said, 'to have too much to say to a man like that.'

'How do you mean, Mr Cotter?' asked my aunt.

'What I mean is,' said old Cotter, 'it's bad for children. My idea is: let a young lad run about and play with young lads of his own age and not be ... Am I right, Jack?'

'That's my principle, too,' said my uncle. 'Let him learn to box his corner. That's what I'm always saying to that Rosicrucian there: take exercise. Why, when I was a nipper every morning of my life I had a cold bath, winter and summer. And that's what stands to me now. Education is all very fine and large ... Mr Cotter might take a pick of that leg mutton,' he added to my aunt.

'No, no, not for me,' said old Cotter.

My aunt brought the dish from the safe and put it on the table.

'But why do you think it's not good for children, Mr Cotter?' she asked.

'It's bad for children,' said old Cotter, 'because their minds are so impressionable. When children see things like that, you know, it has an effect ...'

I crammed my mouth with stirabout for fear I might give utter

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