Beethoven’s Freude theme―or “Ode to Joy”―is perhaps the most iconic melody ever created. This book sets out to show why the Freude theme has acquired this almost mythic status and what its use in the finale of the Ninth Symphony reveals about the mechanics of tonal composition. The book explains how the finale of the Ninth Symphony offers a crash course in music theory made possible by Beethoven’s extensive training with Neefe, Haydn, Albrechtsberger, and others, and his enormous library of theory treatises, by the likes of Fux, C. P. E. Bach, Riepel, and Koch. That course covers everything from the basics of tonal voice leading and motivic development to advanced topics such as double counterpoint, canon, and ars combinatoria. The book also draws on details from his own students such as Ries and Czerny.
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Born in London, Matthew Brown is a British American musicologist who specializes in tonal theory and the music of Claude Debussy. He is currently Professor of Music Theory at the Eastman School of Music in Rochester, NY.
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Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
Paperback or Softback. Condición: New. Learning with Ludwig: Eight Lessons in Music Theory from Beethoven's 'Ode to Joy'. Book. Nº de ref. del artículo: BBS-9781839997884
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Paperback. Condición: New. Beethoven's Freude theme-or "Ode to Joy"-is perhaps the most iconic melody ever created. This book sets out to show why the Freude theme has acquired this almost mythic status and what its use in the finale of the Ninth Symphony reveals about the mechanics of tonal composition. The book explains how the finale of the Ninth Symphony offers a crash course in music theory made possible by Beethoven's extensive training with Neefe, Haydn, Albrechtsberger, and others, and his enormous library of theory treatises, by the likes of Fux, C. P. E. Bach, Riepel, and Koch. That course covers everything from the basics of tonal voice leading and motivic development to advanced topics such as double counterpoint, canon, and ars combinatoria. The book also draws on details from his own students such as Ries and Czerny. Nº de ref. del artículo: LU-9781839997884
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Paperback. Condición: new. Paperback. Explores how Beethovens iconic 'Ode to Joy' theme and the finale of his Ninth Symphony encapsulate a masterclass in tonal composition, grounded in his rigorous training and deep theoretical knowledge.Beethovens Freude theme or 'Ode to Joy' is perhaps the most iconic melody ever created. This book sets out to show why the Freude theme has acquired this almost mythic status and what its use in the finale of the Ninth Symphony reveals about the mechanics of tonal composition. The book explains how the finale of the Ninth Symphony offers a crash course in music theory made possible by Beethovens extensive training with Neefe, Haydn, Albrechtsberger, and others, and his enormous library of theory treatises, by the likes of Fux, C. P. E. Bach, Riepel, and Koch. That course covers everything from the basics of tonal voice leading and motivic development to advanced topics such as double counterpoint, canon, and ars combinatoria. The book also draws on details from his own students such as Ries and Czerny. Beethovens Freude theme or 'Ode to Joy' is perhaps the most iconic melody ever created. This book sets out to show why the Freude theme has acquired this almost mythic status and what its use in the finale of the Ninth Symphony reveals about the mechanics of tonal composition. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781839997884
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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de America
Paperback. Condición: New. Beethoven's Freude theme-or "Ode to Joy"-is perhaps the most iconic melody ever created. This book sets out to show why the Freude theme has acquired this almost mythic status and what its use in the finale of the Ninth Symphony reveals about the mechanics of tonal composition. The book explains how the finale of the Ninth Symphony offers a crash course in music theory made possible by Beethoven's extensive training with Neefe, Haydn, Albrechtsberger, and others, and his enormous library of theory treatises, by the likes of Fux, C. P. E. Bach, Riepel, and Koch. That course covers everything from the basics of tonal voice leading and motivic development to advanced topics such as double counterpoint, canon, and ars combinatoria. The book also draws on details from his own students such as Ries and Czerny. Nº de ref. del artículo: LU-9781839997884
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Condición: New. 2026. paperback. . . . . . Nº de ref. del artículo: V9781839997884
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Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 100 pages. 9.01x6.00x0.50 inches. In Stock. Nº de ref. del artículo: xi1839997885
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