This book focuses on the culture and politics involved in building hip-hop archives. It addresses practical aspects, including methods of accumulation, curation, preservation, and digitization and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications associated with hip-hop culture's enduring tensions with dominant social values.
The collection of essays are divided into four sections; Doing the Knowledge, Challenging Archival Forms, Beyond the Nation and Institutional Alignments: Interviews and Reflections. The book covers a range of official, unofficial, DIY and community archives and collections and features chapters by scholar practitioners, educators and curators.
A wide swath of hip-hop culture is featured in the book, including a focus on dance, graffiti, clothing, and battle rap. The range of authors and their topics span countries in Asia, Europe, the Caribbean and North America.
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Mark V. Campbell is a DJ, scholar and curator. His research explores the relationships between Afrosonic innovations, hip hop archives and notions of the human. He is assistant professor of music and culture and director of the Afrosonic Innovation Lab at the University of Toronto Scarborough.
Contact: University of Toronto Scarborough, 1265 Military Trail, Scarborough, ON m1c 1A4, Canada.
Murray Forman is professor of media and screen studies at Northeastern University. He is author of The ‘Hood Comes First: Race, Space and Place in Rap and Hip-Hop and One Night on TV is Worth Weeks at the Paramount: Popular Music on Early Television. He is also co-editor of Hip-Hop Archives: The Politics and Poetics of Knowledge Production and three editions of That’s the Joint! The Hip-Hop Studies Reader. In 2003–2004, he was awarded a US National Endowment for the Humanities Fellowship, and he was an inaugural recipient of the Nasir Jones Hip-Hop Fellowship at the Hutchins Center for African and African American Research, Harvard University (2014–2015).
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Paperback. Condición: new. Paperback. A collection of essays on archiving the history of hip-hop, featuring a range of official, unofficial, DIY, and community archives. Despite the vast popularity and cultural influence of hip-hop, efforts to archive its history are still in fairly early stages. This book focuses on the cultural and political aspects of those undertakings. It addresses practical aspects, including methods of collection, curation, preservation, and digitization, and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications of hip-hop culture's enduring tensions with dominant social values. A wide swath of hip-hop culture is covered by the contributors, including dance, graffiti, clothing, and battle rap. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781835951064
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Paperback. Condición: New. This book focuses on the culture and politics involved in building hip-hop archives. It addresses practical aspects, including methods of accumulation, curation, preservation, and digitization and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications associated with hip-hop culture's enduring tensions with dominant social values.The collection of essays are divided into four sections; Doing the Knowledge, Challenging Archival Forms, Beyond the Nation and Institutional Alignments: Interviews and Reflections. The book covers a range of official, unofficial, DIY and community archives and collections and features chapters by scholar practitioners, educators and curators. A wide swath of hip-hop culture is featured in the book, including a focus on dance, graffiti, clothing, and battle rap. The range of authors and their topics span countries in Asia, Europe, the Caribbean and North America. Nº de ref. del artículo: LU-9781835951064
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