In the attic of a family home in Italy, Giada Ripa discovered an album of photographs of the city of Yokohama taken by Italian photographer Felice Beato, the first visual narrator of 1860s Japanese society. Ripa later discovered, while researching Beato and his images, a body of work created by her own relative, Mathilde Ruinart, a 19th-century artist, who traveled to Japan in 1867 with her diplomat husband providing a vivid visual description of it. In The Yokohama Project, Ripa has followed Beato and Ruinhart's respective footsteps, and through a Western prism that bridges their 19th-century gaze and her own, attempts to identify local contemporary analogies and convey the transformations of society and landscape in Yokohama and its surroundings.
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Born in London and raised in Brussels, Giada Ripa graduated from Milan University with an M.A. in Political Science/ International Relations. Based between New York and Milan, she started her career in 2000 after studying at the International Center of Photography in NY working both as an artist and a correspondent photographer for various international magazines Her work has been widely and internationally exhibited including; Triennale Museum in Milan, Paris Photo, Musee’ Botanique in Brussel, Royal College of Art in London, International Centre of Photography and PS122 in New York; Art-Hub in Shanghai and Beijing, Palazzo delle Esposizione in Rome, Photo Biennale in Lucca, Arsenale in Venice, Seoul and Incheon in Korea, Art Brussels, Palazzo Litta in Milan, Kyotographie in Kyoto and Paris Photo and Paris Biennale
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Hardcover. Condición: new. Hardcover. In the attic of a family home in Italy, Giada Ripadiscovered an album of photographs of the city ofYokohama taken by Italian photographer Felice Beato,the first visual narrator of 1860s Japanese society.Ripa later discovered, while researching Beato and hisimages, a body of work created by her own relative,Mathilde Ruinart, a 19th-century artist, who traveled toJapan in 1867 with her diplomat husband providing avivid visual description of it.In The Yokohama Project, Ripa has followed Beatoand Ruinhart's respective footsteps, and through aWestern prism that bridges their 19th-century gazeand her own, attempts to identify local contemporaryanalogies and convey the transformations of societyand landscape in Yokohama and its surroundings. In the attic of a family home in Italy, Giada Ripadiscovered an album of photographs of the city ofYokohama taken by Italian photographer Felice Beato,the first visual narrator of 1860s Japanese society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781805980308
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Hardback. Condición: New. In the attic of a family home in Italy, Giada Ripa discovered an album of photographs of the city of Yokohama taken by Italian photographer Felice Beato, the first visual narrator of 1860s Japanese society. Ripa later discovered, while researching Beato and his images, a body of work created by her own relative, Mathilde Ruinart, a 19th-century artist, who traveled to Japan in 1867 with her diplomat husband providing a vivid visual description of it.In The Yokohama Project, Ripa has followed Beato and Ruinhart's respective footsteps, and through a Western prism that bridges their 19th-century gaze and her own, attempts to identify local contemporary analogies and convey the transformations of society and landscape in Yokohama and its surroundings. Nº de ref. del artículo: LU-9781805980308
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Hardback. Condición: New. In the attic of a family home in Italy, Giada Ripa discovered an album of photographs of the city of Yokohama taken by Italian photographer Felice Beato, the first visual narrator of 1860s Japanese society. Ripa later discovered, while researching Beato and his images, a body of work created by her own relative, Mathilde Ruinart, a 19th-century artist, who traveled to Japan in 1867 with her diplomat husband providing a vivid visual description of it.In The Yokohama Project, Ripa has followed Beato and Ruinhart's respective footsteps, and through a Western prism that bridges their 19th-century gaze and her own, attempts to identify local contemporary analogies and convey the transformations of society and landscape in Yokohama and its surroundings. Nº de ref. del artículo: LU-9781805980308
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