A significant number of Holocene societies throughout the world have resorted at one time or another to the making of paints or carvings on different places (tombs, rock-shelters or caves, openair outcrops). The aim of the session A11e. Public images, private readings: multi-perspective approaches to the post-Palaeolithic rock art, which was held within the XVII World UISPP Congress (Burgos, September 1-7 2014), was to put together the experiences of specialists from different areas of the Iberian Peninsula and the World. The approaches ranged from the archaeological definition of the artistic phenomena and their socioeconomic background to those concerning themselves with the symbolic and ritual nature of those practices, including the definition of the audience to which the graphic manifestations were addressed and the potential role of the latter in the making up of social identities and the enforcement of territorial claims. More empirical issues, such as new recording methodologies and data management or even dating were also considered during this session.
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A significant number of Holocene societies throughout the world have resorted at one time or another to the making of paints or carvings on different places (tombs, rock-shelters or caves, openair outcrops). The aim of the session A11e. Public images, private readings: multi-perspective approaches to the post-Palaeolithic rock art, which was held within the XVII World UISPP Congress (Burgos, September 1-7 2014), was to put together the experiences of specialists from different areas of the Iberian Peninsula and the World. The approaches ranged from the archaeological definition of the artistic phenomena and their socioeconomic background to those concerning themselves with the symbolic and ritual nature of those practices, including the definition of the audience to which the graphic manifestations were addressed and the potential role of the latter in the making up of social identities and the enforcement of territorial claims. More empirical issues, such as new recording methodologies and data management or even dating were also considered during this session.
Ram n F bregas Valcarce is professor of Prehistory at the Universidad de Santiago de Compostela and is a specialist in the lithic industry of the late prehistory of Northwestern Iberia. Carlos Rodr guez-Rell n obtained his PhD at the Universidad de Santiago de Compostela where he is a post-doctoral researcher specialising in lithic technologies, experimental archaeology and late prehistoric rock art.
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Condición: New. A significant number of Holocene societies throughout the world have resorted at one time or another to the making of paints or carvings on different places. The aim of the session A11e, held within the XVII World UISPP Congress, was to put together the experiences of specialists from different areas of the Iberian Peninsula and the World. Editor(s): Fabregas Valcarce, Ramon; Rodriguez-Rellan, Carlos. Num Pages: 76 pages, Illustrated throughout in black and white. BIC Classification: ACC; HDDA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 208 x 290 x 16. Weight in Grams: 324. . 2016. Paperback. . . . . Nº de ref. del artículo: V9781784912895
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Condición: New. A significant number of Holocene societies throughout the world have resorted at one time or another to the making of paints or carvings on different places. The aim of the session A11e, held within the XVII World UISPP Congress, was to put together the experiences of specialists from different areas of the Iberian Peninsula and the World. Editor(s): Fabregas Valcarce, Ramon; Rodriguez-Rellan, Carlos. Num Pages: 76 pages, Illustrated throughout in black and white. BIC Classification: ACC; HDDA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 208 x 290 x 16. Weight in Grams: 324. . 2016. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9781784912895
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