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9781784530266: Drawing Difference: Connections Between Gender and Drawing (Drawing In)

Sinopsis

Drawing has been growing in recognition and stature within contemporary fine art since the mid-1970s. Simultaneously, feminist activism has been widespread, leading to the increased prominence of women artists, scholars, critics and curators and the wide acknowledgement of the crucial role played by gender and sexual difference in constituting the subject. Drawing Difference argues that these developments did not occur in parallel simply by coincidence. Rather, the intimate interplay between drawing and feminism is best characterised as allotropic a term originating in chemistry that describes a single pure element which nevertheless assumes varied physical structures, denoting the fundamental affinities which underlie apparently differing material forms. The book takes as its starting point three works from the 1970s by Annette Messager, Dorothea Rockburne and Carolee Schneeman, that are used to exemplify critical developments in feminist art history and key moments for drawing as a means of expression.
Throughout the chapters, these works are further explored in relation to the contemporary drawing practices of Marco Maggi, Sian Bowen, Susan Hauptmann, Cornelia Parker, Christoph Fink and Toba Kheedori. Their works are shown to be (re)iterative sites where mark-making differs with each appearance yet retains certain essential features. Dividing its analysis into the themes Approaching, Tropes and Coinciding, the book analyses how both drawing and feminist discourse emphasise dialogue, matter and openness. It demonstrates how sexual difference, subjectivity and drawing are connected at an elemental level and thus how drawing has played a vital role in the articulation of the material and conceptual dynamics of feminism."

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Acerca del autor

Marsha Meskimmon is Professor of Modern and Contemporary Art History & Theory at Loughborough University, UK.

"Sobre este título" puede pertenecer a otra edición de este libro.

  • EditorialI.B. Tauris
  • Año de publicación2016
  • ISBN 10 1784530263
  • ISBN 13 9781784530266
  • EncuadernaciónTapa dura
  • IdiomaInglés
  • Número de páginas168
  • Contacto del fabricanteno disponible

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9781784530273: Drawing Difference: Connections Between Gender and Drawing (Drawing In)

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ISBN 10:  1784530271 ISBN 13:  9781784530273
Editorial: I.B. Tauris, 2016
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Marsha Meskimmon,Phil Sawdon
Publicado por I.B.Tauris, 2016
ISBN 10: 1784530263 ISBN 13: 9781784530266
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Librería: Pearlydewdrops, Streat, Reino Unido

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hardcover. Condición: Very Good. New and unread, however the dust jacket is missing. There is some light shelf wear and marking to cover Shipped from the UK within 2 business days of order being placed. Nº de ref. del artículo: mon0000288877

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Professor Marsha Meskimmon, Phil Sawdon
Publicado por Bloomsbury Publishing PLC, 2016
ISBN 10: 1784530263 ISBN 13: 9781784530266
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Librería: Bill & Ben Books, Faringdon, Reino Unido

Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

Hardback. Condición: New. Drawing has been growing in recognition and stature within contemporary fine art since the mid-1970s. Simultaneously, feminist activism has been widespread, leading to the increased prominence of women artists, scholars, critics and curators and the wide acknowledgement of the crucial role played by gender and sexual difference in constituting the subject. Drawing Difference argues that these developments did not occur in parallel simply by coincidence. Rather, the intimate interplay between drawing and feminism is best characterised as allotropic a term originating in chemistry that describes a single pure element which nevertheless assumes varied physical structures, denoting the fundamental affinities which underlie apparently differing material forms. The book takes as its starting point three works from the 1970s by Annette Messager, Dorothea Rockburne and Carolee Schneeman, that are used to exemplify critical developments in feminist art history and key moments for drawing as a means of expression. Throughout the chapters, these works are further explored in relation to the contemporary drawing practices of Marco Maggi, Sian Bowen, Susan Hauptmann, Cornelia Parker, Christoph Fink and Toba Kheedori. Their works are shown to be (re)iterative sites where mark-making differs with each appearance yet retains certain essential features. Dividing its analysis into the themes Approaching, Tropes and Coinciding, the book analyses how both drawing and feminist discourse emphasise dialogue, matter and openness. It demonstrates how sexual difference, subjectivity and drawing are connected at an elemental level and thus how drawing has played a vital role in the articulation of the material and conceptual dynamics of feminism.". Nº de ref. del artículo: 0077424

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