The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? This title tries to answer that question by investigating the fresh language of photographic image-making that is emerging in the digital age of anything-ispossible and everything-has-been-done-before.
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Robert Shore is the editor of the visual-arts quarterly Elephant and was previously deputy editor at Art Review magazine. As an arts journalist he has contributed to the Sunday Times, the Guardian and Metro. He is also the author of 10 Principles of Advertising and Bang in the Middle.
The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? This title tries to answer that question by investigating the fresh language of photographic image-making that is emerging in the digital age of anything-ispossible and everything-has-been-done-before.
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