During the colonial period in the Americas, a “Cimarrón” was a Black fugitive slave who lived a free life in isolated corners of society. After independence, when slavery was abolished in Mexico, the Afro-descendant population began to group mainly in two parts of the Mexican territory: Veracruz and the Costa Chica. It was in this last one where I had my first encounter with Afro-descendant culture and where I was aware of its importance and invisibility in the history of Mexico; despite being recognized as the third root, it was not until 2015 that the process for its recognition within the constitution began. Driven by after the first encounter I had with the community, I started the research that gave rise to this project, in which photography was the tool that allowed me to translate into images some historical elements that refer to the current construction of the identity of those who are called Afromexicans. El Cimarrón y su Fandango speaks to us in an allegorical way of the past of a Black community and its journey through colonial history, its integration into the territory and its current sense of identity within it. ― Mara Sánchez Renero
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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Hardcover. Condición: new. Hardcover. During the colonial period in the Americas, a Cimarron was a Black fugitive slave who lived a free life in isolated corners of society. After independence, when slavery was abolished in Mexico, the Afro-descendant population began to group mainly in two parts of the Mexican territory: Veracruz and the Costa Chica. It was in this last one where I had my first encounter with Afro-descendant culture and where I was aware of its importance and invisibility in the history of Mexico; despite being recognized as the third root, it was not until 2015 that the process for its recognition within the constitution began.Driven by after the first encounter I had with the community, I started the research that gave rise to this project, in which photography was the tool that allowed me to translate into images some historical elements that refer to the current construction of the identity of those who are called Afromexicans.El Cimarron y su Fandango speaks to us in an allegorical way of the past of a Black community and its journey through colonial history, its integration into the territory and its current sense of identity within it. Mara Sanchez Renero Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781739881306
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Hardback. Condición: New. During the colonial period in the Americas, a "Cimarrón" was a Black fugitive slave who lived a free life in isolated corners of society. After independence, when slavery was abolished in Mexico, the Afro-descendant population began to group mainly in two parts of the Mexican territory: Veracruz and the Costa Chica. It was in this last one where I had my first encounter with Afro-descendant culture and where I was aware of its importance and invisibility in the history of Mexico; despite being recognized as the third root, it was not until 2015 that the process for its recognition within the constitution began. Driven by after the first encounter I had with the community, I started the research that gave rise to this project, in which photography was the tool that allowed me to translate into images some historical elements that refer to the current construction of the identity of those who are called Afromexicans. El Cimarrón y su Fandango speaks to us in an allegorical way of the past of a Black community and its journey through colonial history, its integration into the territory and its current sense of identity within it. - Mara Sánchez Renero. Nº de ref. del artículo: LU-9781739881306
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Hardback. Condición: New. During the colonial period in the Americas, a "Cimarrón" was a Black fugitive slave who lived a free life in isolated corners of society. After independence, when slavery was abolished in Mexico, the Afro-descendant population began to group mainly in two parts of the Mexican territory: Veracruz and the Costa Chica. It was in this last one where I had my first encounter with Afro-descendant culture and where I was aware of its importance and invisibility in the history of Mexico; despite being recognized as the third root, it was not until 2015 that the process for its recognition within the constitution began. Driven by after the first encounter I had with the community, I started the research that gave rise to this project, in which photography was the tool that allowed me to translate into images some historical elements that refer to the current construction of the identity of those who are called Afromexicans. El Cimarrón y su Fandango speaks to us in an allegorical way of the past of a Black community and its journey through colonial history, its integration into the territory and its current sense of identity within it. - Mara Sánchez Renero. Nº de ref. del artículo: LU-9781739881306
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