forgetting: for vocal sextet and toy noise makers. solo soprano, mezzo-soprano, counter tenor, tenor, baritone, and bass voices. Partition (également partition d'exécution).

Sinopsis

Katherine Balch's deconstructed setting of Katie Ford's Estrangement is composed for vocal sextet and toy noise makers. The music is intricate and the vocal lines are a mixture of sung text and phonetic vowels. Toy noise makers seamlessly blend with the voices to create a texture that is immediate and haunting. Instrumentation : solo soprano, mezzo-soprano, counter tenor, tenor, baritone, and bass voices

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