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Sinopsis
A Book of Days to nurture and inspire your soul this Advent
From December 1 to December 25, Gregory Kenneth Cameron invites you to partake in a daily feast for the eyes and the spirit. Rich reflections draw upon scriptures, history, and legend about the character of the day – Gabriel, the Virgin Mary, the Star, the Magi, and of course the Christ Child, paired with gorgeous illustrations from the author, adapted from famous works of art. Step into the tradition of visio divina inspired by the medieval tradition of the illuminated book of hours, and celebrate the many aspects and persons of the Christmas story through the centuries.
“It is my hope that these reflections, whenever they are read, will help us to discover new depths in the Christmas story, to deepen our faith, and perhaps even to learn something new or unexpected; because over two thousand years, the story of Christmas has become filled with unexpected delights arising from Scripture, history, legend and faith.” —Gregory Kenneth Cameron
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Gregory Kenneth Cameron is the Anglican Bishop of St. Asaph in Wales. Gregory is married to Clare, a teacher of music, and they have three sons. He has a wide range of interests outside ministry and enjoys calligraphy, reading, and film—particularly science fiction. He has gained recognition as a coin designer in his spare time, creating three designs for the Royal Mint.
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An Advent Book of Days: Meeting the Characters of Christmas
By Gregory Kenneth Cameron
INTRODUCTION
One of the most familiar scenes at Christmas is of the stable at Bethlehem, whether it be as a crib at home or in church, or perhaps acted out by the children in the local school or church.
St Francis is attributed with the invention of the Christmas crib scene, but every nativity scene assembles a group of characters, some ancient and some modern, which do not necessarily have an obvious similarity to the story of the birth of Jesus as it is told in either of its two versions, in the Gospel according to Matthew and the Gospel according to Luke. Indeed, even these two Gospels offer very different accounts of the birth of Jesus, with different casts, albeit that the presence of the Holy Family remains at the heart of the drama.
Down through the centuries, new characters such as St Nicholas have joined the story and the celebration of Christmas and, in addition, new stories have been told or elaborated about the characters already there.
This book, which draws on the traditions of the medieval books of hours that brought together prayers for the noble patrons who commissioned them, is a Book of Days, numbering the days from the beginning of December until Christmas. This does not entirely match the season of Advent, which is calculated in a different way, but each chapter of this book can be assigned to one day in the month of December, from the 1st to the 25th. The intention is to revisit each of the characters that make up our Christmas story, and to discover what we know about them, and the stories we tell about them.
Each chapter offers an exploration that draws upon the Scriptures, history and legend in respect of the ‘character’ of the day – one of the people, places or things that have become integral to the Christmas story as it is commonly received. I have augmented this with my own illustrations that I have adapted from some of the most famous works of art depicting the characters of Christmas at different periods of history. This book also aims to provide some spiritual food to nurture readers through the journey of Advent.
There is no absolute reason why these reflections need to be tied to the calendar for December. The twenty-five chapters investigating the Christmas story could be used at other times in taking us on the journey to Bethlehem and offering a meeting with the characters who populate the nativity narrative. It is my hope that these reflections, whenever they are read, will help us to discover new depths in the Christmas story, to deepen our faith, and perhaps even to learn something new or unexpected; because over two thousand years, the story of Christmas has become filled with unexpected delights arising from Scripture, history, legend and faith.
+Gregory Llanelwy
Gregory K. Cameron, Bishop of St Asaph
DAY 1
ANNUNCIATION
The story of the birth of Jesus does not start at Christmas, or even with Advent. Instead it begins in the spring of each year – with an announcement. The date of Lady Day, 25 March, is the first day of the year in the old calendar and, for Christians, the Feast of the Annunciation. For obvious reasons, it is exactly nine months before Christmas Day. However, attention focuses on two characters who are central to the Christmas story – we are invited to reflect upon a girl who is to become a mother, Mary, and a creature of the supernatural, the Archangel Gabriel.
I
Luke is the only Gospel to tell us the inside story of the way in which Mary discovered her pregnancy. While Matthew tells the story from Joseph’s point of view, Luke tells the story from the point of view of Jesus’ mother – indeed, there is an ancient tradition that Luke had actually met Mary, and listened to her memories of Jesus’ birth. For Luke, the Archangel Gabriel is sent from God ‘in the sixth month’ (of another pregnancy, that of Elizabeth) to announce that Mary is to bear Jesus, who will be ‘great, and will be called the Son of the Most High’ (Luke 1.32ff). Like Matthew, Luke clearly portrays Mary as a virgin at this stage of the story, despite her betrothal to Joseph, so Mary’s reaction is one of dismay: ‘How can this be?’ Reassured of God’s direct action to bring these things to pass, Mary makes the boldest of decisions: ‘I am the Lord’s servant ... may it be as you have said’ (Luke 1.38).
II
It used to be believed that 25 December was chosen by the early Christians as the date for Christmas because they wished to appropriate the pagan feast day of ‘Sol Invictus’, the Unconquered Sun. In fact, the evidence is shaky, and the possibility is that the reverse is true and 25 December was chosen as a feast for Sol Invictus in order to compete with the Christian celebration of Christmas, while linking in to the Winter Solstice, the shortest day of the year, which fell a few days earlier, and when, to some minds, night fails to conquer the power of the day, and the days start to grow longer again.
There is every possibility that 25 March was identified as the date for the Annunciation before 25 December was chosen for Christmas. To some of the earliest calendrists (those who tried to sort out the mysteries of the earth’s and God’s calendar), 25 March, a date associated with the spring equinox, was the first day of creation, and therefore a fitting day to mark the conception of the Son of God. Until 1752, every new year was dated from 25 March, and it was traditionally known as ‘Lady Day’, a term that is still in use in the English legal system as one of the quarter days, when rents were to be paid and debts settled.
III
For many ancient societies it was conception, not birth, that marked the start of a human life. It also marks the beginning of the central mystery of the Christian faith, the Incarnation, when God takes flesh and begins his dwelling among us. Not surprisingly therefore, the Annunciation became a major theme in Christian art, with all manner of angels greeting the Virgin Mary, who was reputed to have been disturbed in the middle of her prayers (which is why she is shown in this picture with her thumb keeping her place in her book).
Today’s picture is based on a painting of the Annunciation by two Renaissance artists, Simone Martini and Lippo Memmi, and is housed at the Uffizi Gallery in Florence. I chose this depiction, painted in 1333, because it seems to me that Martini is very clever at catching emotion by physical stance. Gabriel’s cloak swirls outwards as he arrives, drops to his knees, and begins his greeting. The Virgin Mary physically seems to draw back in confusion at the angel’s greeting, just as Luke describes her: ‘much perplexed’. Blue seems to have become a favorite color for Mary’s robes because in iconography blue is the color of heaven and of the divine. At the Annunciation, Mary is clothed with the overshadowing of the Holy Spirit, while her humanity peeps out in the red of her dress.
IV
The invitation and call of God to Mary to take on the role of mother of Jesus holds a fascination for Christians not only for their central place in the story of Jesus, but also because it speaks to us of vocation – God’s call to us and his purpose for our lives. Mary’s response, in accepting God’s call, with all its challenges, therefore becomes a model of how we should respond when God calls us: ‘May it be as you have said’ (cf. Luke 1.38).
We, of course, are unlikely to be sent the Archangel Gabriel to make it plain to us what God wants of us, and fortunately there is probably no task for us as difficult as taking on the role of Mother of the Saviour of the World. However, Christians do believe that there will be a path that God wishes us to follow – if not exactly pre-ordained, then at least an invitation to fulfil the gifts and opportunities that he has given to us – and which becomes for us the path to fullness of life.
Let us pause to reflect, and pray this Advent that God will make his will for our lives clearer and plainer – and that he will assist us in giving the same answer as Mary: ‘Your will be done.’
Lord of the Ages, who calls us to live into the fullness of life, and to discover our destiny in your will for our lives, help us to learn from the example of Mary who, though troubled by the message of the angel, was still prepared to say ‘yes’ to your will. Amen.
Copyright ©2021 by Gregory K. Cameron
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