“A brilliant short novel that serves as a brave, sharp-toothed brief against letting the past devour the present” (The New York Times Book Review Editors’ Choice), Yishai Sarid’s The Memory Monster is a harrowing parable of a young historian who becomes consumed by the memory of the Holocaust.
A NEW YORK TIMES BOOK REVIEW 100 NOTABLE BOOKS OF 2020 SELECTION
Written as a report to the chairman of Yad Vashem, Israel’s memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives.
The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers―their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill.
With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it?
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Yishai Sarid was born in Tel Aviv in 1965 to Dorit and Yossi Sarid, a prominent Israeli left-wing MP and cabinet member. After serving in the Israel Defense Forces for six years as an intelligence officer, Sarid studied law at the Hebrew University in Jerusalem, and later earned a Master in Public Administration from Harvard University’s Kennedy School of Government. He is an active lawyer and arbitrator, practicing mainly civil and administrative law. To date, Sarid has published eight novels that have been translated into a dozen languages and awarded numerous accolades, including the Bernstein Prize, the Brenner Prize, and the Levi Eshkol Literary Award for Hebrew literature, and in France, the Grand prix de littérature policière. Sarid lives in Tel Aviv with his wife, Rachel Sion Sarid, an intensive care pediatrician, and their three children.
Yardenne Greenspan (Tel Aviv, now based in New York) is a writer and Hebrew translator. Her translations have been published by Restless Books, St. Martin’s Press, Akashic, Syracuse University, New Vessel Press, Amazon Crossing, and are forthcoming from Farrar, Straus & Giroux. Yardenne’s writing and translations have appeared in The New Yorker, Haaretz, Guernica, Literary Hub, Blunderbuss, Apogee, The Massachusetts Review, Asymptote, and Words Without Borders, among other publications. She has an MFA from Columbia University and is a regular contributor to Ploughshares.
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Paperback. Condición: New. "A brilliant short novel that serves as a brave, sharp-toothed brief against letting the past devour the present" (The New York Times Book Review Editors' Choice), Yishai Sarid's The Memory Monster is a harrowing parable of a young historian who becomes consumed by the memory of the Holocaust.A NEW YORK TIMES BOOK REVIEW 100 NOTABLE BOOKS OF 2020 SELECTIONWritten as a report to the chairman of Yad Vashem, Israel's memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims' lives.The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers-their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka's The Trial and the obsessions of Delillo's White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it? Nº de ref. del artículo: LU-9781632060600
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