In 2009, artist and writer Sarah Trigg embarked on an ambitious field expedition across the United States, interviewing more than two-hundred artists in their studios. She sat down with everyone-from painters to performance artists-to investigate a wide range of art-making practices. The result is Studio Life, a fascinating photographic and written account of one hundred of her most illuminating visits. Trigg asks her subjects to share objects and working habits in six categories: mascots, collected objects, rituals, makeshift tools, residue, and habitats. These talismans and behaviors provide a framework for artists to reveal insights into their practices and the nature of the creative life. Intriguing and often humorous anecdotes emerge-of one studio's mysterious sealed vault, another's resident bunny-and countless sources of inspiration are unearthed: vintage comics, purses, and kitschy figurines; faded yearbooks and treasured cards and letters; and one handwritten reminder to "Quit Feelin' Sorry for Yourself." Accessible and relevant for amateur aesthetes and art-world professionals alike, Studio Life offers an insider's view of the artistic process as well as a snapshot of the most interesting work being produced today.
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Sarah Trigg is an artist, writer and, for the past three and a half years, she has been photographing and writing for The Goldminer Project (www.thegoldminerproject.com), which served as the springboard for Studio Life. Her work has been exhibited widely in venues in New York and across the United States, including the Neuberger Museum of Art (Purchase, NY), the Bronx Museum of the Arts (NY), and the Weatherspoon Art Museum (Greensboro, North Carolina). Her work has recently been featured in Modern Painters, The Art Newspaper, Art and Auction, The New York Times, Cultural Politics, Artinfo.com and in the book Virilio Now: Current Perspectives in Virilio Studies (Polity Press).
In 2009, artist and writer Sarah Trigg embarked on an ambitious field expedition across the United States, interviewing more than two-hundred artists in their studios. She sat down with everyone-from painters to performance artists-to investigate a wide range of art-making practices. The result is Studio Life, a fascinating photographic and written account of one hundred of her most illuminating visits. Trigg asks her subjects to share objects and working habits in six categories: mascots, collected objects, rituals, makeshift tools, residue, and habitats. These talismans and behaviors provide a framework for artists to reveal insights into their practices and the nature of the creative life. Intriguing and often humorous anecdotes emerge-of one studio's mysterious sealed vault, another's resident bunny-and countless sources of inspiration are unearthed: vintage comics, purses, and kitschy figurines; faded yearbooks and treasured cards and letters; and one handwritten reminder to "Quit Feelin' Sorry for Yourself." Accessible and relevant for amateur aesthetes and art-world professionals alike, Studio Life offers an insider's view of the artistic process as well as a snapshot of the most interesting work being produced today.
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