In the wake of the Charlie Hebdo attacks, this collection - which gathers scholars in the fields of race, ethnicity, and humor - seems especially urgent. Inspired by Denmark's Muhammad cartoons controversy, the contributors inquire into the role that racial and ethnic stereotypes play in visual humor and the thin line that separates broad characterization as a source of humor from its power to shock or exploit. The authors investigate the ways in which humor is used to demean or give identity to racial, national, or ethnic groups and explore how humor works differently in different media, such as cartoons, photographs, film, video, television, and physical performance. This is a timely and necessary study that will appeal to scholars across disciplines.
"Sinopsis" puede pertenecer a otra edición de este libro.
"The scholarship in this volume is superior across the board and a much-needed contribution to the field of race and representation in Western art. Approaching the issues of race and stereotype from another angle, that of humor, these essays help us expand our thinking about power, resistance, and ambivalence, complicating already complicated discourse on identity." --Adrienne Childs, WE.B. Du Bois Research Institute, Harvard University The scholarship in this volume is superior across the board and a much-needed contribution to the field of race and representation in Western art. Approaching the issues of race and stereotype from another angle, that of humor, these essays help us expand our thinking about power, resistance, and ambivalence, complicating already complicated discourse on identity. Adrienne Childs, WE.B. Du Bois Research Institute, Harvard University" "The essays in . . . this outstanding collection focus on selected works of art that characterize racial, ethnic or gender stereotypes within a culture." ARLIS/NA" An important contribution to discourses of power and identity. . . . Highly recommended. Choice"
In the wake of the Charlie Hebdo attacks, this collection - which gathers scholars in the fields of race, ethnicity, and humor - seems especially urgent. Inspired by Denmark's Muhammad cartoons controversy, the contributors inquire into the role that racial and ethnic stereotypes play in visual humor and the thin line that separates broad characterization as a source of humor from its power to shock or exploit. The authors investigate the ways in which humor is used to demean or give identity to racial, national, or ethnic groups and explore how humor works differently in different media, such as cartoons, photographs, film, video, television, and physical performance. This is a timely and necessary study that will appeal to scholars across disciplines.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Nº de ref. del artículo: M1611688205Z3
Cantidad disponible: 3 disponibles