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Libro 10 de 26: Interfaces: Studies in Visual Culture
Sinopsis
Eschewing the traditional focus on object/viewer spatial relationships, Timothy Scott Barker's Time and the Digital stresses the role of the temporal in digital art and media. The connectivity of contemporary digital interfaces has not only expanded the relationships between once separate spaces but has increased the complexity of the temporal in nearly unimagined ways. Invoking the process philosophy of Whitehead and Deleuze, Barker strives for nothing less than a new philosophy of time in digital encounters, aesthetics, and interactivity. Of interest to scholars in the fields of art and media theory and philosophy of technology, as well as new media artists, this study contributes to an understanding of the new temporal experiences emergent in our interactions with digital technologies.
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Acerca del autor
TIMOTHY SCOTT BARKER is a lecturer in digital media at the University of Glasgow and a visiting research fellow at the University of New South Wales.
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Time and the Digital (Interfaces: Studies in Visual Culture)
Publicado por
Dartmouth College, 2012
ISBN 10: 1611682991
ISBN 13: 9781611682991
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Librería: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Reino Unido
Calificación del vendedor: 4 de 5 estrellas
Condición: Very Good. No dust jacket. The cover and content are both in like new condition. Nº de ref. del artículo: HP-106473
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Time and the Digital : Connecting Technology, Aesthetics, and a Process Philosophy of Time
Librería: BWS BKS, Ferndale, NY, Estados Unidos de America
Calificación del vendedor: 2 de 5 estrellas
Hardcover. Condición: New. Interfaces: Studies in Visual Culture; Eschewing the traditional focus on object/viewer spatial relationships, Timothy Scott Barker's Time and the Digital stresses the role of the temporal in digital art and media. The connectivity of contemporary digital interfaces has not only expanded the relationships between once separate spaces but has increased the complexity of the temporal in nearly unimagined ways. Invoking the process philosophy of Whitehead and Deleuze, Barker strives for nothing less than a new philosophy of time in digital encounters, aesthetics, and interactivity.Of interest to scholars in the fields of art and media theory and philosophy of technology, as well as new media artists, this study contributes to an understanding of the new temporal experiences emergent in our interactions with digital technologies. Nº de ref. del artículo: 100603
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Cantidad disponible: 1 disponibles