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Sinopsis
CONTENTS OF COMPOSITION STUDIES 43.1 (Spring 2015) | From the Editor | Special Issue: Comics, Multimodality, and Composition, Dale Jacobs, Guest Editor | Composing With: A Comic Strip Cover Story by Gary Weissman | Composing the Uncollectible by Franny Howes | ARTICLES: The Rhetoric of the Paneled Page: Comics and Composition Pedagogy by Gabriel Sealey-Morris | Beyond Talking Heads: Sourced Comics and the Affordances of Multimodality by Hannah Dickinson and Maggie M. Werner | Illustrating Praxis: Comic Composition, Narrative Rhetoric, and Critical Multiliteracies by Kathryn Comer | The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy by Molly J. Scanlon | COURSE DESIGN: English 177: Literature and Popular Culture, The Graphic Novel by Leah Misemer | ENGL 1102: Literature and Composition: Handwriting and Typography by Aaron Kashtan | WHERE WE ARE: INTERSECTIONS: The Underdog Disciplines: Comics Studies and Composition and Rhetoric1 by Susan Kirtley | Graphic Disruptions: Comics, Disability and De-Canonizing Composition by Shannon Walters | Comics and Scholarship: Sketching the Possibilities by Erin Kathleen Bahl, Ohio State University | BOOK REVIEWS: Comics and Composition, Comics as Composition: Navigating Production and Consumption Reviewed by Tammie M. Kennedy and Jessi Thomsen and Erica Trabold: Review of Contemporary Comics Storytelling, by Karin Kukkonen; Linguistics and the Study of Comics, edited by Frank Bramlett; Narrative Structure in Comics: Making Sense of Fragments, by Barbara Postema | Multimodal Literacies and Graphic Memoir: Using Alison Bechdel in the Classroom, Reviewed by Janine Morris, Review of Are You My Mother? A Comic Drama, by Alison Bechdel; Fun Home: A Family Tragicomic, by Alison Bechdel | Re/Framing Identifications, edited by Michelle Ballif, Reviewed by Peter Brooks | Understanding Rhetoric: A Graphic Guide to Writing, by Elizabeth Losh, Jonathan Alexander, Kevin Cannon, and Zander Cannon, Reviewed by Molly J. Scanlon | DIY Citizenship: Critical Making and Social Media, edited by Matt Ratto and Megan Boler, Reviewed by Jason Luther | Contributors
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CONTENTS OF COMPOSITION STUDIES 43.1 (Spring 2015) | From the Editor | Special Issue: Comics, Multimodality, and Composition, Dale Jacobs, Guest Editor | Composing With: A Comic Strip Cover Story by Gary Weissman | Composing the Uncollectible by Franny Howes | ARTICLES: The Rhetoric of the Paneled Page: Comics and Composition Pedagogy by Gabriel Sealey-Morris | Beyond Talking Heads: Sourced Comics and the Affordances of Multimodality by Hannah Dickinson and Maggie M. Werner | Illustrating Praxis: Comic Composition, Narrative Rhetoric, and Critical Multiliteracies by Kathryn Comer | The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy by Molly J. Scanlon | COURSE DESIGN: English 177: Literature and Popular Culture, The Graphic Novel by Leah Misemer | ENGL 1102: Literature and Composition: Handwriting and Typography by Aaron Kashtan | WHERE WE ARE: INTERSECTIONS: The Underdog Disciplines: Comics Studies and Composition and Rhetoric1 by Susan Kirtley | Graphic Disruptions: Comics, Disability and De-Canonizing Composition by Shannon Walters | Comics and Scholarship: Sketching the Possibilities by Erin Kathleen Bahl, Ohio State University | BOOK REVIEWS: Comics and Composition, Comics as Composition: Navigating Production and Consumption Reviewed by Tammie M. Kennedy and Jessi Thomsen and Erica Trabold: Review of Contemporary Comics Storytelling, by Karin Kukkonen; Linguistics and the Study of Comics, edited by Frank Bramlett; Narrative Structure in Comics: Making Sense of Fragments, by Barbara Postema | Multimodal Literacies and Graphic Memoir: Using Alison Bechdel in the Classroom, Reviewed by Janine Morris, Review of Are You My Mother? A Comic Drama, by Alison Bechdel; Fun Home: A Family Tragicomic, by Alison Bechdel | Re/Framing Identifications, edited by Michelle Ballif, Reviewed by Peter Brooks | Understanding Rhetoric: A Graphic Guide to Writing, by Elizabeth Losh, Jonathan Alexander, Kevin Cannon, and Zander Cannon, Reviewed by Molly J. Scanlon | DIY Citizenship: Critical Making and Social Media, edited by Matt Ratto and Megan Boler, Reviewed by Jason Luther | Contributors
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - CONTENTS OF COMPOSITION STUDIES 43.1 (Spring 2015) | From the Editor | Special Issue: Comics, Multimodality, and Composition, Dale Jacobs, Guest Editor | Composing With: A Comic Strip Cover Story by Gary Weissman | Composing the Uncollectible by Franny Howes | ARTICLES: The Rhetoric of the Paneled Page: Comics and Composition Pedagogy by Gabriel Sealey-Morris | Beyond Talking Heads: Sourced Comics and the Affordances of Multimodality by Hannah Dickinson and Maggie M. Werner | Illustrating Praxis: Comic Composition, Narrative Rhetoric, and Critical Multiliteracies by Kathryn Comer | The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy by Molly J. Scanlon | COURSE DESIGN: English 177: Literature and Popular Culture, The Graphic Novel by Leah Misemer | ENGL 1102: Literature and Composition: Handwriting and Typography by Aaron Kashtan | WHERE WE ARE: INTERSECTIONS: The Underdog Disciplines: Comics Studies and Composition and Rhetoric1 by Susan Kirtley | Graphic Disruptions: Comics, Disability and De-Canonizing Composition by Shannon Walters | Comics and Scholarship: Sketching the Possibilities by Erin Kathleen Bahl, Ohio State University | BOOK REVIEWS: Comics and Composition, Comics as Composition: Navigating Production and Consumption Reviewed by Tammie M. Kennedy and Jessi Thomsen and Erica Trabold: Review of Contemporary Comics Storytelling, by Karin Kukkonen; Linguistics and the Study of Comics, edited by Frank Bramlett; Narrative Structure in Comics: Making Sense of Fragments, by Barbara Postema | Multimodal Literacies and Graphic Memoir: Using Alison Bechdel in the Classroom, Reviewed by Janine Morris, Review of Are You My Mother A Comic Drama, by Alison Bechdel; Fun Home: A Family Tragicomic, by Alison Bechdel | Re/Framing Identifications, edited by Michelle Ballif, Reviewed by Peter Brooks | Understanding Rhetoric: A Graphic Guide to Writing, by Elizabeth Losh, Jonathan Alexander, Kevin Cannon, and Zander Cannon, Reviewed by Molly J. Scanlon | DIY Citizenship: Critical Making and Social Media, edited by Matt Ratto and Megan Boler, Reviewed by Jason Luther | Contributors. Nº de ref. del artículo: 9781602357020
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