“If Spano looks a bit conventional this time around, it’s only because he’s already made some of the most inventive photographs of the urban scene since Ray K. Metzker and Lee Friedlander staked their claims to the territory. Still, there’s plenty of his trademark layering, disjunction, and sly wit in these big black-and-white pictures of people in their cars, and their straightforward framing can barely contain the chaos. In the best shots, drivers are seen in profile, focused and oblivious but bombarded from all sides with billboards, signs, graffiti, reflections, and encroaching traffic. Security is an illusion, and the automobile has rarely looked so aggressive or vulnerable.”
The New Yorker
Automobiles, trucks, and SUVs make their way through Manhattan traffic on a daily basis, clogging the streets and thoroughfares with a constant barrage of noise and pollution, energy and motion. In his second powerHouse Books release, photographer Michael Spano concentrates on the person behind the wheel, honing in on facial expressions and upper-body positions trapped within, yet protected by, the rigid structure of the automobile. Streamlined windows accentuate profiles, highlighting a range of emotions as motorists encounter unavoidable traffic congestion. Auto Portraits describes a private sphere within the public space, where people waiting at red lights or stuck in traffic are seemingly in a deep thought beyond the ever-present gridlock. Relaxed, drivers appear unaware of the busy metropolis, revealing a segment of contemporary American car culture grounded in the urban locale.
"Sinopsis" puede pertenecer a otra edición de este libro.
Michael Spano, former director and curator of the nonprofit Midtown Y Photography Gallery, holds an MFA from Yale University and currently teaches at Sarah Lawrence College. The author of Time Frames: City Pictures (powerHouse Books, 2002), Spano is the recipient of many honors and awards, including fellowships from the New York Foundation for the Arts, CameraWorks, and the John Simon Guggenheim Memorial Foundation. Spano has exhibited his work at The Museum of Modern Art, the Cleveland Museum of Art, Harvard University’s Fogg Museum in Cambridge, The Museum of Contemporary Photography in Chicago, and the Los Angeles County Museum, among others. Represented by the Laurence Miller Gallery, New York, Spano’s work is featured in the collections of The Museum of Modern Art, the Whitney Museum, and the Brooklyn Museum of Art, New York, the Cleveland Museum of Art, the Boston Museum of Fine Art, and the Art Institute of Chicago. He lives and works in New York City.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: A&D Books, South Orange, NJ, Estados Unidos de America
Hardcover. First edition, first printing. Near Fine hardcover with a touch of shelf wear; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "Automobiles, trucks, and SUVs make their way through Manhattan traffic on a daily basis, clogging the streets and thoroughfares with a constant barrage of noise and pollution, energy and motion. .Spano concentrates on the person behind the wheel, honing in on facial expressions and upper-body positions trapped within, yet protected by, the rigid structure of the automobile. Streamlined windows accentuate profiles, highlighting a range of emotions as motorists encounter unavoidable traffic congestion. Auto Portraits describes a private sphere within the public space, where people waiting at red lights or stuck in traffic are seemingly in a deep thought beyond the ever-present gridlock. Relaxed, drivers appear unaware of the busy metropolis, revealing a segment of contemporary American car culture grounded in the urban locale." Photographs and artist's statement by Michael Spano. 104 pages; 65 duo-toned b&w plates; 11.5 x 9.25 inches. Nº de ref. del artículo: 21479
Cantidad disponible: 1 disponibles
Librería: Books-R-Keen, DuBois, PA, Estados Unidos de America
hardcover. Condición: Very Good. Excellent condition, dust jacket included when applicable, no markings in text. Nº de ref. del artículo: 7B-VI51026
Cantidad disponible: 1 disponibles
Librería: Grendel Books, ABAA/ILAB, Springfield, MA, Estados Unidos de America
Hardcover. Condición: Fine. Black and white photographs throughout. First printing. Fine in pictorial boards. No dust jacket. Nº de ref. del artículo: 60876
Cantidad disponible: 1 disponibles
Librería: Klondyke, Almere, Holanda
Condición: Good. Original pictorial boards, illustrated with a lot of (full page) b/w photographs, oblong (circa 24x29cm). Nº de ref. del artículo: 367012-AE14
Cantidad disponible: 1 disponibles
Librería: Klondyke, Almere, Holanda
Condición: Good. Original pictorial boards, oblong, circa 24x29cm, illustrated with a lot of (full page) b/w photographs. Nº de ref. del artículo: 329745-AD23
Cantidad disponible: 1 disponibles
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Hardcover. Condición: VG+. First. BW pictorial paper-covered boards; 103 pp.; 53 bw photos. Features photos of people in their cars; Inscribed by the photographer. Nº de ref. del artículo: 115122
Cantidad disponible: 1 disponibles
Librería: Bookcase, Carlisle, Reino Unido
Hard. Condición: Very Good. Spano, Michael Ilustrador. First Edition. Pages clean and bright, previous owner ink stamp on front endpaper, binding firm, light shelf and rubbing to boards. Size: 4to Landscape. Art Book. Nº de ref. del artículo: 86102
Cantidad disponible: 1 disponibles
Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de America
Hardcover. Condición: New. In shrink wrap. Looks like an interesting title! Nº de ref. del artículo: Q-1576874230
Cantidad disponible: 1 disponibles
Librería: BWS BKS, Ferndale, NY, Estados Unidos de America
Hardcover. Condición: New. "If Spano looks a bit conventional this time around, itâs only because heâs already made some of the most inventive photographs of the urban scene since Ray K. Metzker and Lee Friedlander staked their claims to the territory. Still, thereâs plenty of his trademark layering, disjunction, and sly wit in these big black-and-white pictures of people in their cars, and their straightforward framing can barely contain the chaos. In the best shots, drivers are seen in profile, focused and oblivious but bombarded from all sides with billboards, signs, graffiti, reflections, and encroaching traffic. Security is an illusion, and the automobile has rarely looked so aggressive or vulnerable." (The New Yorker) Automobiles, trucks, and SUVs make their way through Manhattan traffic on a daily basis, clogging the streets and thoroughfares with a constant barrage of noise and pollution, energy and motion. In his second powerHouse Books release, photographer Michael Spano concentrates on the person behind the wheel, honing in on facial expressions and upper-body positions trapped within, yet protected by, the rigid structure of the automobile. Streamlined windows accentuate profiles, highlighting a range of emotions as motorists encounter unavoidable traffic congestion. Auto Portraits describes a private sphere within the public space, where people waiting at red lights or stuck in traffic are seemingly in a deep thought beyond the ever-present gridlock. Relaxed, drivers appear unaware of the busy metropolis, revealing a segment of contemporary American car culture grounded in the urban locale. Nº de ref. del artículo: 82700
Cantidad disponible: 1 disponibles