As a playwright, director, and performer, Robbie McCauley has been an influential presence in the American avant-garde theatre for many decades. In her work, she consistently confronts uncomfortable truths about race and racism in America with a sharp eye for nuance and complexity, using the personal to extend into the universal by weaving her own family history into her narratives. By breaking down the traditional walls between performer and spectator, her plays encourage challenging and necessary dialogue about the ways race affects our social frameworks and individual lived experiences. In addition to containing the full text of McCauley’s plays Sally’s Rape, Indian Blood, Sugar, and Jazz ’n Class, this volume includes insightful introductions to each play as well as additional essays by McCauley and other leading writers and academics about her work and legacy.
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Robbie McCauley is a playwright, director, and performer who has been an active presence in the American avant-garde theatre for several decades. One of the early cast members of Ntozake Shange’s for colored girls who have considered suicide when the rainbow is enuf on Broadway, McCauley went on to write and perform regularly in cities across the country and abroad. Her play Sally's Rape won the 1991 Obie Award for Best New American Play and a Bessie Award for Outstanding Achievement in Performance. Other notable works include Sugar, Indian Blood, Mississippi Freedom, Turf: A Conversational Concert in Black and White, The Other Weapon, and Quabbin Dance.
McCauley is a recipient of the IRNE (Independent Reviewers of New England) Award for Solo Performance, and was selected as a 2012 United States Artists Ford Foundation Fellow. Her work is widely anthologized, including the volumes Extreme Exposure, Moon Marked and Touched by Sun, and Performance and Cultural Politics.
Striving to facilitate dialogues on race between local whites and blacks, she created the Primary Sources series in Mississippi, Boston, and Los Angeles produced by The Arts Company. In 1998 her “Buffalo Project” is highlighted as one of “The 51 (or So) Greatest Avant-Garde Moments” by The Village Voice, a roster including work by artists such as Igor Stravinsky, Pablo Picasso, and John Cage.
Robbie McCauley has taught at City College of New York, Hunter College, Mount Holyoke College, Boston College, Emerson College, and New York University Tisch School of the Arts.
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Paperback. Condición: new. Paperback. A consummate compendium that highlights the work of an audacious, incomparable theatremaker.A vital presence in the avant-garde theatre movement since the 1970s, Robbie McCauley worked as a playwright, director, and performer for many decades, garnering international acclaim for her thought-provoking work. Her plays consistently confronted uncomfortable truths about race and racism in America by breaking down the walls between performer and spectator. McCauley's uncompromising and uplifting work sought to highlight the varied lived experiences of Black women, as well as their indelible mark on global culture.In this volume, you'll find:The full text of McCauley's plays Sally's Rape, Indian Blood, Sugar, and Jazz 'n ClassInsightful introductions to each playAdditional essays by McCauley and other leading writers and academics about her work and legacy A vital new collection of plays and essays by and about a groundbreaking avant-garde theatre artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781559369749
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