With quotes from author Ralph Ellison and others, the editor's introduction makes a case for an African American aesthetic. The 21 readings, representing diverse timeframes (1920s to 1990s) and endeavors (music and dance, the oral art of satiric signifying, and sports and public displays of the body), shed light on the issues of: What is "black" in black culture? What purpose is served by identifying a unique African American style? How have these forms of cultural expression shaped American life? Annotation c. Book News, Inc., Portland, OR (booknews.com)
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Observers of American society have long noted the distinctive contribution of African Americans to the nation's cultural life. We find references to African American music and dance, black forms of oral expression, even a black style of playing basketball. But what do such terms really mean? Is it legitimate to talk about a distinct African American aesthetic, or is it simply a vestige of an outmoded racial essentialism? What makes a particular form of cultural expression "black", other than the fact that some African Americans may practice it? These are some of the questions addressed in the readings gathered in this volume. The essays spring from a variety of disciplines and cover a range of topics, from the communal ritual of the ring shout to the evolution of rap to the improvisational genius of Michael Jordan. While each piece focuses on a different aspect of African American expressive culture, together they seek to reveal a set of creative principles, techniques and practices - a cultural aesthetic - that is consistent and resilient.
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