Pulitzer Prize winning poet Forrest Gander responds to the provocative photographs of Jack Shear.
The elements are timeless and fundamental—a male nude and a piece of black linen—and the photographic results are miraculous. Within Knot are twenty-three lush black and white photographs of a body and cloth performing a provocative ballet, a wrestling match, a tense sequence of appearances and disappearances that immediately take on symbolic weight. When poet Forrest Gander first encountered these images, he asked Jack Shear for more. As Gander recalls, the photographs arrived “dreamy, violent, mythic, and elemental… I set them up around the room and knew I wanted to write my way into them.” The result is a profound dialogue between word and image, observation and inspiration, imagination and intellect. “What do you see?” one poem asks. "A divinity wrung from a black cloud.""Sinopsis" puede pertenecer a otra edición de este libro.
Forrest Gander is a cross-genre writer and translator and winner of the Pulitzer Prize for the poetry book Be With (New Directions, 2019). He is the recipient of fellowships from the National Endowment for the Arts, the Guggenheim Foundation, and PEN America. A former professor at Brown University, Gander currently lives in California.
Jack Shear has worked as a photographer for over twenty-five years and is noted for his iconic portraits of American figures such as William S. Burroughs and Ellsworth Kelly, as well as architectural photography. He has exhibited his photographs in museums and galleries throughout the United States and Europe. Shear also serves as the executive director of the Ellsworth Kelly Foundation.
Exhausted.I can’t climb anymore…
Exhausted. I can’t climb anymore. Yet I could, possibly,hang here for a moment, stop
this exertion, just cling, catching my breath, to thiscascade of long dark hair which
she has let down from the window. The window that didn’tlook nearly so high, only
balcony level wasn’t it?, when I started. Those hours ago.Haven’t I been climbing for
hours? Above me, my overextended arms quiver and ache allthe way down to their
sockets, the round swollen muscles of my shoulders press tomy ears. Is she calling?
I can’t hear. When I look up, I see the cascade of her longhair, nothing beyond that.
But it’s as difficult to pause as to climb, so I keep going.To tell the truth, I never
paused. Deaf and blind, I keep tugging myself up into thatfalling blackness. I who
am bringing her the moon.
Aslong as I hold this up…
As long as I hold this up, you cannot see me, you don’t knowwho or what I am or
why the cloth’s weave has no luster, no pilling, no shading.I am almost invisible.
And when finally my hand trails the rest of me inside, whereonly enough room
remains, exactly enough room, for that single hand, the onestill lifted above my head
holding the cloth, the I which used to be me will havedisappeared completely, and
the material will no doubt tumble to the floor as thoughthere never were anything
inside it, nothing filling it out. Or just a capriciousspirit. Or just a fleet intimation of
form. What was that, anyway? Don’t tell me it was a life.Just my wrist, my thumb, my
curled fingers. They constitute all that remains. A greenglow at the ocean’s horizon
after the sun has gone down. Something like that. Alreadynot even something really,
only a particle of something attached to what merely seemedsubstantial but was,
instead, the nothing. To which I am subject. To which Igranted so much scope, it
crowded me out and I became my own ghost. But inside thedarkness. Inside the. In.
Whatare you holding so tightly…
What are you holding so tightly?
You can see it’s a corpse.
But where are you taking it?
It goes where I go.
Aren’t you far ahead of the funeral procession?
It’s a private affair.
Meaning it’s someone you loved?
Someone I would have loved to see
make better choices.
In time, things will get better for you.
You don’t know that. What’s
to come is just
the sentence of my duration.
You don’t think feelings can change?
If time were some sort of measurement
of change, it stopped for me.
Say what you will, don’t you still have the present
and your own choices to make?
You think that between the past and the future
there’s an interval in which I’m
considering your question. But there is no interval.
You don’t believe in the present?
My future is what I carry my corpse into.
Whenfinally I let go of my self-pity…
When finally I let go of my self-pity, when
I sloughed off the garment of my grief
hoisting it furiously over my head,
I discovered myself
wondering what would come next.
But it’s you, isn’t it?
You’ve caught me unsleeved. Washed
clean, a bud after rain. And it’s clear
to you that my body isn’t only the shaft
of an archaic instrument. It’s a communion
you want to share. With my eyes covered
of course, you’re free to take me in. But
wouldn’t you like even more? Can
you sate yourself on just my vitality, my
pure form? I’ve already entered
your experience sensorially, not
as mere information. And however much you stare,
I stand beyond any place where your command,
your flirting, your feigned closeness reaches.
As the seen thing, I’m immutable and still
worth your attending to. And it could be
I’ll let you go further if you give me a hand
lifting this last blindness from my face.
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