All art, in fact, any freestanding object (including music) that is intentionally crafted, originates as a thinking process. This means it is very unlikely to manifest as an unique imaginary and retrievable snap-shot. It is a complex process and ultimately an obvious gross motor activity as much as it is guided by ideations. But the conception would remain in the nether regions of pre-imagination were it not stimulated by a deep brain behavioral hub that programs for self-perception. Then it is further converted by way of neuro-psychological editing habits guiding our gross sensory-motor actions into plastic form (including sound). This small book proposes that the major components of these efforts to create stable records derive from our ability to self-identify and our related compulsion to mimic. There is nothing new in this. What is a bit new is specifying those cognitive conversion devices and what types of neurons predicate them. The devices we discuss are; novelty, intention, mirroring and recursion. No part of creative endeavor resulting in a unique and stable form of expression could come to be without these devices that convert cognitive processing towards executing a thing. Imagine converting the hues of a sunset into a physical chunk of coal. It is that farfetched but we manage to do it all the time when extracting an idea, capturing it by some means and isolating it as a free standing entity. We create in order to demystify the world and lend a helpful hand to ourselves both to self-nurture and culturally nurture others simply in order to survive.
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Paperback. Condición: new. Paperback. All art, in fact, any freestanding object (including music) that is intentionally crafted, originates as a thinking process. This means it is very unlikely to manifest as an unique imaginary and retrievable snap-shot. It is a complex process and ultimately an obvious gross motor activity as much as it is guided by ideations. But the conception would remain in the nether regions of pre-imagination were it not stimulated by a deep brain behavioral hub that programs for self-perception. Then it is further converted by way of neuro-psychological editing habits guiding our gross sensory-motor actions into plastic form (including sound). This small book proposes that the major components of these efforts to create stable records derive from our ability to self-identify and our related compulsion to mimic. There is nothing new in this. What is a bit new is specifying those cognitive conversion devices and what types of neurons predicate them. The devices we discuss are; novelty, intention, mirroring and recursion. No part of creative endeavor resulting in a unique and stable form of expression could come to be without these devices that convert cognitive processing towards executing a thing. Imagine converting the hues of a sunset into a physical chunk of coal. It is that farfetched but we manage to do it all the time when extracting an idea, capturing it by some means and isolating it as a free standing entity. We create in order to demystify the world and lend a helpful hand to ourselves both to self-nurture and culturally nurture others simply in order to survive. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9781547251346
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