The exhibition Square, presenting 82 original artworks, opens a window onto current explorations by members of the Textile Study Group of New York. With just one restriction—that each piece be mounted on a 12-inch square wooden panel—the artists reached out in many directions to bring forth a diverse array of two- and three-dimensional expressions in fabric, thread, paper, wire, and some surprising materials that stretch the definition of “fiber art.” As with early works in the fiber art genre, which was identified as a contemporary art form in the 1960s, many pieces derive expression from formal qualities inherent in processes such as weaving, knitting, stitching, knotting, and manipulation of fabric. Other works incorporate drawing, printing, collage, and techniques not specific to textiles. Much of the work is abstract, relying on color, texture, and pattern to communicate, but figurative, architectural, and natural images offer content ranging from personal narratives to commentary on timely issues.
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The exhibition Square, presenting 82 original artworks, opens a window onto current explorations by members of the Textile Study Group of New York. With just one restriction—that each piece be mounted on a 12-inch square wooden panel—the artists reached out in many directions to bring forth a diverse array of two- and three-dimensional expressions in fabric, thread, paper, wire, and some surprising materials that stretch the definition of “fiber art.” As with early works in the fiber art genre, which was identified as a contemporary art form in the 1960s, many pieces derive expression from formal qualities inherent in processes such as weaving, knitting, stitching, knotting, and manipulation of fabric. Other works incorporate drawing, printing, collage, and techniques not specific to textiles. Much of the work is abstract, relying on color, texture, and pattern to communicate, but figurative, architectural, and natural images offer content ranging from personal narratives to commentary on timely issues.
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Librería: St Vincent de Paul of Lane County, Eugene, OR, Estados Unidos de America
Condición: Good. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects. Nº de ref. del artículo: 2DD-001-2071
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Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 92 pages. 8.50x8.50x0.22 inches. This item is printed on demand. Nº de ref. del artículo: zk1503276481
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Paperback. Condición: VG. Black and color-illustrated dust jacket with white lettering. Unpaginated. Color illustrations. The exhibition Square, presenting 82 original artworks, opens a window onto current explorations by members of the Textile Study Group of New York. With just one restrictionthat each piece be mounted on a 12-inch square wooden panelthe artists reached out in many directions to bring forth a diverse array of two- and three-dimensional expressions in fabric, thread, paper, wire, and some surprising materials that stretch the definition of "fiber art." As with early works in the fiber art genre, which was identified as a contemporary art form in the 1960s, many pieces derive expression from formal qualities inherent in processes such as weaving, knitting, stitching, knotting, and manipulation of fabric. Other works incorporate drawing, printing, collage, and techniques not specific to textiles. Much of the work is abstract, relying on color, texture, and pattern to communicate, but figurative, architectural, and natural images offer content ranging from personal narratives to commentary on timely issues. Nº de ref. del artículo: 171872
Cantidad disponible: 1 disponibles