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Sinopsis
Frames the contemporary post-cinematic situation of audiovisual media by focusing on the category of compactness in order to analyze a number of less explored aspects of contemporary mediascape.
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Acerca de los autores
Pepita Hesselberth is assistant professor in cultural theory, film, and digital media at the Department of Film and Literary Studies, Leiden University, the Netherlands. She is the author of Cinematic Chronotopes (Bloomsbury, 2014), and the co-editor of two collected volumes on compact cinematic forms: Compact Cinematics (with Maria Poulaki; Bloomsbury 2017), and, as guest editor of Empedocles: Journal of Philosophy of Communication, on "Short Film Experience" (with Carlos Roos; 2015). Currently she is working on her project on Disconnectivity in the Digital Age, for which she received a grant from the Danish Council of Independent Research, and is appointed as a research fellow at the University of Copenhagen.
Maria Poulaki is Lecturer in Film and Digital Media Arts at University of Surrey, UK. Placing contemporary cinematics within the realm of complexity theory and neuroscience debates she has contributed to Screen, New Review of Film and Television Studies, Film-Philosophy, Cinema & Cie, Projections, and a number of edited volumes.
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Compact Cinematics: The Moving Image in the Age of Bit-Sized Media
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Compact Cinematics
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Compact Cinematics
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Bloomsbury Publishing Plc, US, 2018
ISBN 10: 1501343939
ISBN 13: 9781501343933
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Librería: Rarewaves.com USA, London, LONDO, Reino Unido
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Paperback. Condición: New. Compact Cinematics challenges the dominant understanding of cinema to focus on the various compact, short, miniature, pocket-sized forms of cinematics that have existed from even before its standardization in theatrical form, and in recent years have multiplied and proliferated, taking up an increasingly important part of our everyday multimedia environment. Short films or micro-narratives, cinematic pieces or units re-assembled into image archives and looping themes, challenge the concepts that have traditionally been used to understand cinematic experience, like linear causality, sequentiality, and closure, and call attention to complex and modular forms of cinematic expression and perception. Such forms, in turn, seem to meet the requirements of digital convergence, which has pushed the development of more compact and mobile hardware for the display and use of audiovisual content on laptops, smartphones, and tablets. Meanwhile, contemporary economies of digital content acquisition, filing, and sharing equally require the shrinking of cinematic content for it to be recorded, played, projected, distributed, and installed with ease and speed. In this process, cinematic experience is shortened and condensed as well, so as to fit the late-capitalist attention economy. The essays in this volume ask what this changed technical, socio-economic and political situation entails for the aesthetics and experience of contemporary cinematics, and call attention to different concepts, theories and tools at our disposal to analyze these changes. Nº de ref. del artículo: LU-9781501343933
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Compact Cinematics
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Compact Cinematics (Paperback)
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ISBN 10: 1501343939
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Paperback. Condición: new. Paperback. Compact Cinematics challenges the dominant understanding of cinema to focus on the various compact, short, miniature, pocket-sized forms of cinematics that have existed from even before its standardization in theatrical form, and in recent years have multiplied and proliferated, taking up an increasingly important part of our everyday multimedia environment. Short films or micro-narratives, cinematic pieces or units re-assembled into image archives and looping themes, challenge the concepts that have traditionally been used to understand cinematic experience, like linear causality, sequentiality, and closure, and call attention to complex and modular forms of cinematic expression and perception. Such forms, in turn, seem to meet the requirements of digital convergence, which has pushed the development of more compact and mobile hardware for the display and use of audiovisual content on laptops, smartphones, and tablets. Meanwhile, contemporary economies of digital content acquisition, filing, and sharing equally require the shrinking of cinematic content for it to be recorded, played, projected, distributed, and installed with ease and speed. In this process, cinematic experience is shortened and condensed as well, so as to fit the late-capitalist attention economy. The essays in this volume ask what this changed technical, socio-economic and political situation entails for the aesthetics and experience of contemporary cinematics, and call attention to different concepts, theories and tools at our disposal to analyze these changes. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781501343933
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Compact Cinematics: The Moving Image in the Age of Bit-Sized Media
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Bloomsbury Academic, 2018
ISBN 10: 1501343939
ISBN 13: 9781501343933
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Compact Cinematics: The Moving Image in the Age of Bit-Sized Media
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ISBN 10: 1501343939
ISBN 13: 9781501343933
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Compact Cinematics: The Moving Image in the Age of Bit-Sized Media
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Compact Cinematics: The Moving Image in the Age of Bit-sized Media
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Bloomsbury USA Academic, 2018
ISBN 10: 1501343939
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Compact Cinematics (Paperback)
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Bloomsbury Publishing Plc, New York, 2018
ISBN 10: 1501343939
ISBN 13: 9781501343933
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Paperback. Condición: new. Paperback. Compact Cinematics challenges the dominant understanding of cinema to focus on the various compact, short, miniature, pocket-sized forms of cinematics that have existed from even before its standardization in theatrical form, and in recent years have multiplied and proliferated, taking up an increasingly important part of our everyday multimedia environment. Short films or micro-narratives, cinematic pieces or units re-assembled into image archives and looping themes, challenge the concepts that have traditionally been used to understand cinematic experience, like linear causality, sequentiality, and closure, and call attention to complex and modular forms of cinematic expression and perception. Such forms, in turn, seem to meet the requirements of digital convergence, which has pushed the development of more compact and mobile hardware for the display and use of audiovisual content on laptops, smartphones, and tablets. Meanwhile, contemporary economies of digital content acquisition, filing, and sharing equally require the shrinking of cinematic content for it to be recorded, played, projected, distributed, and installed with ease and speed. In this process, cinematic experience is shortened and condensed as well, so as to fit the late-capitalist attention economy. The essays in this volume ask what this changed technical, socio-economic and political situation entails for the aesthetics and experience of contemporary cinematics, and call attention to different concepts, theories and tools at our disposal to analyze these changes. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9781501343933
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