Explores and illuminates Jacques Derrida's profound impact on our understanding of literary modernism.
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Jean-Michel Rabaté is one of the world's foremost literary theorists. He is Professor of English and Comparative Literature at the University of Pennsylvania, USA. Rabaté has authored or edited more than thirty books on modernism, psychoanalysis, contemporary art, philosophy, and writers like Beckett, Pound, and Joyce. Recent books include Crimes of the Future (Bloomsbury, 2014), The Cambridge Introduction to Psychoanalysis and Literature (2014), The Pathos of Distance (Bloomsbury, 2016), and Rust (Bloomsbury, 2018). He is one of the founders and curators of Slought Foundation in Philadelphia (slought.org) and the Managing Editor of the Journal of Modern Literature. Since 2008, he has been a Fellow of the American Academy of Arts and Sciences.
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Hardcover. Condición: Fair. This volume makes a significant contribution to both the study of Derrida and of modernist studies. The contributors argue, first, that deconstruction is not modern; neither is it postmodern nor simply modernist. They also posit that deconstruction is intimately connected with literature, not because deconstruction would be a literary way of doing philosophy, but because literature stands out as a modern notion. The contributors investigate the nature and depth of Derrida's affinities with writers such as Joyce, Kafka, Antonin Artaud, Georges Bataille, Paul Celan, Maurice Blanchot, Theodor Adorno, Samuel Beckett, and Walter Benjamin, among others. With its strong connection between philosoph. Nº de ref. del artículo: 440627
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Hardcover. Condición: new. Hardcover. This volume makes a significant contribution to both the study of Derrida and of modernist studies. The contributors argue, first, that deconstruction is not modern; neither is it postmodern nor simply modernist. They also posit that deconstruction is intimately connected with literature, not because deconstruction would be a literary way of doing philosophy, but because literature stands out as a modern notion. The contributors investigate the nature and depth of Derridas affinities with writers such as Joyce, Kafka, Antonin Artaud, Georges Bataille, Paul Celan, Maurice Blanchot, Theodor Adorno, Samuel Beckett, and Walter Benjamin, among others.With its strong connection between philosophy and literary modernism, this highly original volume advances modernist literary study and the relationship of literature and philosophy. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781501331862
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Hardcover. Condición: new. Hardcover. This volume makes a significant contribution to both the study of Derrida and of modernist studies. The contributors argue, first, that deconstruction is not modern; neither is it postmodern nor simply modernist. They also posit that deconstruction is intimately connected with literature, not because deconstruction would be a literary way of doing philosophy, but because literature stands out as a modern notion. The contributors investigate the nature and depth of Derridas affinities with writers such as Joyce, Kafka, Antonin Artaud, Georges Bataille, Paul Celan, Maurice Blanchot, Theodor Adorno, Samuel Beckett, and Walter Benjamin, among others.With its strong connection between philosophy and literary modernism, this highly original volume advances modernist literary study and the relationship of literature and philosophy. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9781501331862
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