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Sinopsis
Explores a variety of theological and methodological approaches to film spectatorship through a dialogue of international contributions.
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Acerca de los autores
CarrieLynn D. Reinhard is an Associate Professor in Communication Arts and Sciences at Dominican University, Illinois, USA, where her research focuses on sense-making in media reception. She completed her Ph.D. in Communication at Ohio State University, USA, and was a post-doctoral research fellow for the Virtual World Research Group at Roskilde University in Denmark.
Christopher J. Olson is a PhD student enrolled in the Media, Cinema, and Digital Studies program of the English Department at the University of Wisconsin - Milwaukee, USA.
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Making Sense of Cinema: Empirical Studies Into Film Spectators and Spectatorship
Publicado por
Bloomsbury Academic, 2017
ISBN 10: 1501320211
ISBN 13: 9781501320217
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Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9781501320217. Nº de ref. del artículo: 9546060
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Making Sense of Cinema
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Making Sense of Cinema
Publicado por
Bloomsbury Publishing Plc, US, 2017
ISBN 10: 1501320211
ISBN 13: 9781501320217
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Paperback. Condición: New. There are a variety of theoretical and methodological approaches to researching how film spectators make sense of film texts, from the film text itself, the psychological traits and sociocultural group memberships of the viewer, or even the location and surroundings of the viewer. However, we can only understand the agency of film spectators in situations of film spectatorship by studying actual spectators' interactions with specific film texts in specific contexts of engagement.Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship uses a number of empirical approaches (ethnography, focus groups, interviews, historical, qualitative experiment and physiological experiment) to consider how the film spectator makes sense of the text itself or the ways in which the text fits into his or her everyday life. With case studies ranging from preoccupations of queer and ageing men in Spanish and French cinema and comparative eye-tracking studies based on the two completely different soundscapes of Monsters Inc. and Saving Private Ryan to cult fanbase of the Lord of the Rings Trilogy and attachment theory to its fictional characters, Making Sense of Cinema aligns this subset of film studies with the larger fields of media reception studies, allowing for dialogue with the broader audience and reception studies field. Nº de ref. del artículo: LU-9781501320217
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Making Sense of Cinema
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Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship
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Bloomsbury Academic 2017-08-24, 2017
ISBN 10: 1501320211
ISBN 13: 9781501320217
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Making Sense of Cinema (Paperback)
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Bloomsbury Publishing Plc, New York, 2017
ISBN 10: 1501320211
ISBN 13: 9781501320217
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Calificación del vendedor: 5 de 5 estrellas
Paperback. Condición: new. Paperback. There are a variety of theoretical and methodological approaches to researching how film spectators make sense of film texts, from the film text itself, the psychological traits and sociocultural group memberships of the viewer, or even the location and surroundings of the viewer. However, we can only understand the agency of film spectators in situations of film spectatorship by studying actual spectators interactions with specific film texts in specific contexts of engagement.Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship uses a number of empirical approaches (ethnography, focus groups, interviews, historical, qualitative experiment and physiological experiment) to consider how the film spectator makes sense of the text itself or the ways in which the text fits into his or her everyday life. With case studies ranging from preoccupations of queer and ageing men in Spanish and French cinema and comparative eye-tracking studies based on the two completely different soundscapes of Monsters Inc. and Saving Private Ryan to cult fanbase of the Lord of the Rings Trilogy and attachment theory to its fictional characters, Making Sense of Cinema aligns this subset of film studies with the larger fields of media reception studies, allowing for dialogue with the broader audience and reception studies field. Explores a variety of theological and methodological approaches to film spectatorship through a dialogue of international contributions. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781501320217
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Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship
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Bloomsbury Academic, 2017
ISBN 10: 1501320211
ISBN 13: 9781501320217
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Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship
Publicado por
Bloomsbury Publishing Plc, 2017
ISBN 10: 1501320211
ISBN 13: 9781501320217
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Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship
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Bloomsbury USA Academic, 2017
ISBN 10: 1501320211
ISBN 13: 9781501320217
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Paperback. Condición: Brand New. reprint edition. 297 pages. 9.00x6.00x0.75 inches. In Stock. Nº de ref. del artículo: x-1501320211
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Making Sense of Cinema (Paperback)
Publicado por
Bloomsbury Publishing Plc, New York, 2017
ISBN 10: 1501320211
ISBN 13: 9781501320217
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Librería: CitiRetail, Stevenage, Reino Unido
Calificación del vendedor: 5 de 5 estrellas
Paperback. Condición: new. Paperback. There are a variety of theoretical and methodological approaches to researching how film spectators make sense of film texts, from the film text itself, the psychological traits and sociocultural group memberships of the viewer, or even the location and surroundings of the viewer. However, we can only understand the agency of film spectators in situations of film spectatorship by studying actual spectators interactions with specific film texts in specific contexts of engagement.Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship uses a number of empirical approaches (ethnography, focus groups, interviews, historical, qualitative experiment and physiological experiment) to consider how the film spectator makes sense of the text itself or the ways in which the text fits into his or her everyday life. With case studies ranging from preoccupations of queer and ageing men in Spanish and French cinema and comparative eye-tracking studies based on the two completely different soundscapes of Monsters Inc. and Saving Private Ryan to cult fanbase of the Lord of the Rings Trilogy and attachment theory to its fictional characters, Making Sense of Cinema aligns this subset of film studies with the larger fields of media reception studies, allowing for dialogue with the broader audience and reception studies field. Explores a variety of theological and methodological approaches to film spectatorship through a dialogue of international contributions. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9781501320217
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