Second only to Shakespeare in terms of performances, Ibsen is performed in almost every culture. Since Ibsen wrote his plays about bourgeois family life in Northern Europe, they have become part of local theatre traditions in cultures as different as that of China and Zimbabwe, India and Iran. Through the discussion of productions of Ibsen on four continents, Frode Helland explores how Ibsen is created through practice and his status as a classic is maintained.
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Frode Helland is Director of the Centre of Ibsen Studies, and professor of literature at the University of Oslo. He is in charge of the international research projects 'Ibsen between Cultures' and 'Ibsen in Use'. He has published widely on Henrik Ibsen, Scandinavian literature, and the global performance of Ibsen.
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional high art , theatre for development, queer and transgender theatre, Brechtian techniques, puppetry, post-dramati. Nº de ref. del artículo: 151176493
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