I A young dog, inexperienced, sadly lacking in even primary education, ambles and frisks along the footpath of Fulham Road, near the mysterious gates of a Marist convent. He is a large puppy, on the way to be a dog of much dignity, but at present he has little to recommend him but that gawky elegance, and that bounding gratitude for the gift of life, which distinguish the normal puppy. He is an ignorant fool. He might have entered the convent of nuns and had a fine time, but instead he steps off the pavement into the road, the road being a vast and interesting continent imperfectly explored. His confidence in his nose, in his agility, and in the goodness of God is touching, absolutely painful to witness. He glances casually at a huge, towering vermilion construction that is 3
Table of Contents
CONTENTS; PART I; Page; SEEING LIFE I; PART II; WRITING NOVELS 35; PART III; WRITING PLAYS; PART IV; THE ARTIST AND THE PUBLIC 101
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Excerpt from The Author's Craft
A street accident is now in being, and a crowd gathers with calm joy and stares, pas sive and determined. The puppy offers no sign whatever; just lies in the road. Then a boy, destined probably to a great future by reason of his singular faculty of initiative, goes to the puppy and carries him by the scruff of the neck, to the shelter of the gutter. Relin quished by the boy, the lithe puppy falls into an easy horizontal attitude, and seems bent upon repose. The boy lifts the puppy's head to examine it, and the head drops back wearily. The puppy is dead. No cry, no blood, no disfigurement! Even no perceptible jolt of the wheel as it climbed over the obstacle of the puppy's body! A wonderfully clean and per feet accident!
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
I A young dog, inexperienced, sadly lacking in even primary education, ambles and frisks along the footpath of Fulham Road, near the mysterious gates of a Marist convent. He is a large puppy, on the way to be a dog of much dignity, but at present he has little to recommend him but that gawky elegance, and that bounding gratitude for the gift of life, which distinguish the normal puppy. He is an ignorant fool. He might have entered the convent of nuns and had a fine time, but instead he steps off the pavement into the road, the road being a vast and interesting continent imperfectly explored. His confidence in his nose, in his agility, and in the goodness of God is touching, absolutely painful to witness. He glances casually at a huge, towering vermilion construction that is 3
Table of Contents
CONTENTS; PART I; Page; SEEING LIFE I; PART II; WRITING NOVELS 35; PART III; WRITING PLAYS; PART IV; THE ARTIST AND THE PUBLIC 101
About the Publisher
Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the difficult to read text. Read books online for free at http://www.forgottenbooks.org
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Librería: Forgotten Books, London, Reino Unido
Paperback. Condición: New. Print on Demand. This book on craft and technique, from the novelist and playwright Arnold Bennett, offers an engaging guide to the genesis of writing from the quirks of the imagination through to the finished result. Bennett's foundational premise is that writing in its various forms is rooted in keen observation of humanity and the world around us. By seeing and experiencing life directly, the writer can then transmit their vision through storytelling. Broken into three parts, Bennett examines the unique demands and advantages of novels, plays, and their creators, using examples from history and contemporary works to illustrate his points. Tackling the practicalities of writing itself, the author underscores the importance of technique in a writer's ability to create compelling work, though this technique should always serve the story and never become its focus. Providing insight into the minds, methods, and motivations of writers, this book is an insightful and engaging guide for those interested in writing or the art of storytelling itself. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Nº de ref. del artículo: 9781451005769_0
Cantidad disponible: Más de 20 disponibles
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781451005769
Cantidad disponible: 15 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781451005769
Cantidad disponible: 15 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 144 pages. 9.00x6.00x0.33 inches. This item is printed on demand. Nº de ref. del artículo: zk1451005768
Cantidad disponible: 1 disponibles