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Sinopsis
Art in Theory: An Introduction to the Study of Comparative Aesthetics (1894) is a seminal work in the field of comparative aesthetics by George Lansing Raymond. This book is an in-depth exploration of the various theories and philosophies of art that have emerged throughout history, from ancient Greece to the 19th century. Raymond provides a comprehensive overview of the different approaches to the study of art, including formalism, expressionism, and symbolism. He also examines the role of art in society, discussing its relationship with politics, religion, and culture. Throughout the book, Raymond presents a wealth of examples from a wide range of artistic traditions, including painting, sculpture, literature, and music. He also includes detailed analyses of individual works of art, providing readers with a deeper understanding of the artistic process and the ways in which different artists have approached their craft. Art in Theory is a must-read for anyone interested in the history and philosophy of art. It is a comprehensive and accessible introduction to the study of comparative aesthetics, and remains a valuable resource for scholars and students alike.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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Reseña del editor
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Reseña del editor
Review, in noticing the first book published of this series, entitled Poetry as a Representative A rt, took the author to task, apparently, for not following exclusively that which he by no means ignored, the prevailing and popular method of Historic Criticism. Had the critic read the book more carefully, he would have had no difficulty in detecting in the course criticized the result of a deliberate purpose. That historic criticism, in the last few decades, has been of vast benefit to truth and to thought of every kind, no one can deny. But it has its limits; and there is no region in which, if applied exclusively, it is fitted to do more harm than in that of aesthetics. Holding that all the products of the arts and all the changes in their general conditions and effects are subject to the laws of development, two of its most prominent propositions are: first, that art is the expression of the spirit of the age in which it appears ;and, second, that all art, for this reason, is of interest to the artist. Neither proposition is true. If there be anything which, very often, the higher arts are distinctly not, it is the expression of the spirit of their age. Greek architecture of the fourth century before Christ, and Gothic of the thirteenth after him, may have been this; although even they were developments of what had been originated long before.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Art In Theory: An Introduction To The Study Of Comparative Aesthetics (1894)
Librería: California Books, Miami, FL, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Condición: New. Nº de ref. del artículo: I-9781436975759
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EUR 53,28
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