Thorough-bass Made Easy: Or, Practical Rules for Finding and Applying its Various Chords With Little Trouble; Together With Variety of Examples in ... Concertos, Solos, Songs, and Recita - Tapa dura

Sinopsis

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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<sourceLibrary>British Library

<ESTCID>T180272

<Notes>The work is in oblong quarto format except for the 48p., which are in quarto.

<imprintFull>Edinburgh : M. DCC. LVII. Printed, and sold by the author, and by R. Bremner in Edinburgh. Sold also at the following musick-shops, viz. J. Walsh’s, and J. Johnson’s in London: and W. Manwaring’s in Dublin, [1757]. <collation>[4],48p.,XXIX plates : engr.music ; obl.4° and 4°

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