Contemporary Chilean Filmmaking: The Aesthetics of Trauma (World Cinema) - Tapa dura

Verdejo, Eva-Rosa Ferrand

9781350528024: Contemporary Chilean Filmmaking: The Aesthetics of Trauma (World Cinema)

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ISBN 10: 1350528021 ISBN 13: 9781350528024

Editorial: Bloomsbury Academic, 2025

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An in-depth exploration of how traumatic memories of the Chilean dictatorship (1973-1990) have shaped contemporary filmmaking ethics and aesthetics.

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Eva-Rosa Ferrand Verdejo is a research assistant at CY Cergy Paris Universit�, France. She completed her PhD in Film and TV Studies (University of Warwick) and in Hispanic Studies (CY Cergy Paris Universit�) in 2022.

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Editorial: Bloomsbury Academic
A�o de publicaci�n: 2025
Idioma: Ingl�s
ISBN 10: 1350528021
ISBN 13: 9781350528024
Encuadernaci�n: Tapa dura
N�mero de p�ginas: 216
Contacto del fabricante: no disponible
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Contemporary Chilean Filmmaking

Eva-Rosa Ferrand Verdejo

Publicado por Bloomsbury Academic (UK), 2025

ISBN 10: 1350528021 ISBN 13: 9781350528024

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Contemporary Chilean Filmmaking: The Aesthetics of Trauma (World Cinema)

Eva-Rosa Ferrand Verdejo

Publicado por Bloomsbury Academic (UK), 2025

ISBN 10: 1350528021 ISBN 13: 9781350528024

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Contemporary Chilean Filmmaking

Verdejo, Eva-Rosa Ferrand

Publicado por Bloomsbury Academic, 2025

ISBN 10: 1350528021 ISBN 13: 9781350528024

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Contemporary Chilean Filmmaking

Eva-Rosa Ferrand Verdejo

Publicado por Bloomsbury Publishing PLC, GB, 2025

ISBN 10: 1350528021 ISBN 13: 9781350528024

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Hardback. Condici�n: New. This book explores how the generation of filmmakers born in the aftermath of the Chilean dictatorship (1973-1990) use cinema to navigate and narrate the complex legacies of their country's turbulent past.Eva-Rosa Ferrand Verdejo examines the work of the Nov�simo Cine Chileno, providing close readings of key films such as Fernando Guzzoni's Carne de Perro (2013),Crist�bal Le�n and Joaqu�n Coci�a's La Casa Lobo (2018), Manuela Martelli's 1976 (2022), and Pablo Larra�n's El Conde (2023). She identifies a recurring trope of blurred boundaries within these films - whether between right and wrong, past and present, fiction and reality, or a blending of genre conventions, - which disorients the viewer and resists any singular understanding of the film. She argues that this disorientation pushes the audience into a more active and critical mode of spectatorship.Drawing on psychoanalytical theory and political philosophy, she goes on to explore how the aesthetic choices within these films are reflective of an uneasy relationship to Chile's traumatic past. Labelling these the 'aesthetics of trauma', she argues that they challenge official histories and raise broader questions about memory, trauma, and ethical representation in post-dictatorial societies. N� de ref. del art�culo: LU-9781350528024

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Contemporary Chilean Filmmaking

Eva-Rosa Ferrand Verdejo

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ISBN 10: 1350528021 ISBN 13: 9781350528024

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Contemporary Chilean Filmmaking (Hardcover)

Eva-Rosa Ferrand Verdejo

Publicado por Bloomsbury Publishing PLC, London, 2025

ISBN 10: 1350528021 ISBN 13: 9781350528024

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Hardcover. Condici�n: new. Hardcover. This book explores how the generation of filmmakers born in the aftermath of the Chilean dictatorship (1973-1990) use cinema to navigate and narrate the complex legacies of their country's turbulent past.Eva-Rosa Ferrand Verdejo examines the work of the Novisimo Cine Chileno, providing close readings of key films such as Fernando Guzzonis Carne de Perro (2013),Cristobal Leon and Joaquin Cocinas La Casa Lobo (2018), Manuela Martellis 1976 (2022), and Pablo Larrains El Conde (2023). She identifies a recurring trope of blurred boundaries within these films whether between right and wrong, past and present, fiction and reality, or a blending of genre conventions, which disorients the viewer and resists any singular understanding of the film. She argues that this disorientation pushes the audience into a more active and critical mode of spectatorship.Drawing on psychoanalytical theory and political philosophy, she goes on to explore how the aesthetic choices within these films are reflective of an uneasy relationship to Chile's traumatic past. Labelling these the 'aesthetics of trauma', she argues that they challenge official histories and raise broader questions about memory, trauma, and ethical representation in post-dictatorial societies. An in-depth exploration of how traumatic memories of the Chilean dictatorship (1973-1990) have shaped contemporary filmmaking ethics and aesthetics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N� de ref. del art�culo: 9781350528024

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