Suzanne Guerlac uses the philosophies of Felix Ravaisson, Henri Bergson and Georg Simmel and visual technologies to argue that Remembrance of Things Past is a vital, not melancholic text that engages with the time of life, instead of being an aesthetic evasion from the world and time itself.
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Suzanne Guerlac is Professor of the Graduate School at the University of California, Berkeley, USA.
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Hardcover. Condición: new. Hardcover. Through an engagement with the philosophies of Prousts contemporaries, Felix Ravaisson, Henri Bergson, and Georg Simmel, Suzanne Guerlac presents an original reading of Remembrance of Things Past (A la recherche du temps perdu). Challenging traditional interpretations, she argues that Prousts magnum opus is not a melancholic text, but one that records the dynamic time of change and the complex vitality of the real. Situating Prousts novel within a modernism of money, and broadening the exploration through references to cultural events and visual technologies (commercial photography, photojournalism, pornography, the regulation of prostitution, the Panama Scandal, and the Dreyfus Affair), this study reveals that Prousts subject is not the esthetic recuperation of loss but rather the adventure of living in time, on both the individual and the social level, at a concrete historical moment. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781350152229
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Hardcover. Condición: new. Hardcover. Through an engagement with the philosophies of Prousts contemporaries, Felix Ravaisson, Henri Bergson, and Georg Simmel, Suzanne Guerlac presents an original reading of Remembrance of Things Past (A la recherche du temps perdu). Challenging traditional interpretations, she argues that Prousts magnum opus is not a melancholic text, but one that records the dynamic time of change and the complex vitality of the real. Situating Prousts novel within a modernism of money, and broadening the exploration through references to cultural events and visual technologies (commercial photography, photojournalism, pornography, the regulation of prostitution, the Panama Scandal, and the Dreyfus Affair), this study reveals that Prousts subject is not the esthetic recuperation of loss but rather the adventure of living in time, on both the individual and the social level, at a concrete historical moment. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9781350152229
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