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The Contributor, Vol. 14 (Classic Reprint): A Monthly Magazine; February, 1893: A Monthly Magazine; February, 1893 (Classic Reprint) - Tapa blanda

Wells, Junius Free

 
9781334074608: The Contributor, Vol. 14 (Classic Reprint): A Monthly Magazine; February, 1893: A Monthly Magazine; February, 1893 (Classic Reprint)

Sinopsis

This book invites readers on a journey through time, exploring the vibrant and often overlooked history of ancient Chaldaea. The author meticulously delves into the fascinating world of this ancient civilization, contrasting its enduring legacy with the desolate plains that now mark its former grandeur. Discover how the ancient Chaldaeans developed a sophisticated culture, including the creation of clay tablets that served as books, and how they left behind records of myths, traditions and religion, some mirroring the Bible's account of the deluge. The author carefully examines the rise and fall of Chaldaean kings, including Nimrod, Urukh, and Kudur Lagamar, highlighting the political, religious, and social forces that shaped their empire. Through detailed accounts of the construction of temples, palaces, and the Royal Canal of Babylon, the author unveils the remarkable achievements of this ancient people. A testament to the enduring power of history, this book offers a captivating glimpse into a civilization that, despite its decline, continues to intrigue and inspire.

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Reseña del editor

Excerpt from The Contributor, Vol. 14: A Monthly Magazine; February, 1893

Street, a public fountain is seen. Water for the city must have been brought from a great distance by conduits; then instead of being distributed to private houses, it was led to fountains on the streets; to these the people could come and Obtain their supplies. Most of these fountains are of simple structure, consisting Of a large square basin into which water fell from above, usually spouting from the mouth of some animal carved in stone. In the foreground Of our picture, (no. 4) to the right, the footway is seen to be paved with pebbles; this marks the front of the Temple of Fortune, to the exis tence of which the street owes its name. The ruins of the edifice still stand; a flight of thirteen steps leads from the street to the platform of the portico. Inscriptions upon the walls declare that the temple was erected during the reign of Augustus.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from The Contributor, Vol. 14: A Monthly Magazine; February, 1893

Pompeii is known to be a place of very great ah tiquity, though the first mention of it thus far found in written history dates B. C. 310. It was probably of Oscan origin, with much of the Grecian spirit in its customs; but by the changing fortunes of war it was successively claimed by the Etruscans and the Samnites, and finally it became tributary to imperial Rome.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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