Excerpt from The Theory of Colouring: Being an Analysis of the Principles of Contrast and Harmony in the Arrangement of Colours, With Their Application to the Study of Nature, and Hints on the Composition of Pictures, Etc
Many are averse to use theoretical principles in the study of art: science, it is said, may be learned by theories, but art only by practice. Truly, mere theoretical principles will never make an artist without practice, which they are intended to direct, not to supplant. They are to guide the student in his work, not to do his work for him. The principles of colour stand in the same relationship to painting as the rules of perspective with regard to drawing, neither can be neglected with impunity. These princi ples are not necessarily intuitive, but are to be learned by long, and often bitter experience. If the student will be guided by the experience of others, and adopt the rules set forth, so far as they commend themselves to his judgement, he may reap the fruit of their labours, and share with them the glory of success.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Sinopsis" puede pertenecer a otra edición de este libro.
Excerpt from The Theory of Colouring: Being an Analysis of the Principles of Contrast and Harmony in the Arrangement of Colours, With Their Application to the Study of Nature, and Hints on the Composition of Pictures, Etc
Many are averse to use theoretical principles in the study of art: science, it is said, may be learned by theories, but art only by practice. Truly, mere theoretical principles will never make an artist without practice, which they are intended to direct, not to supplant. They are to guide the student in his work, not to do his work for him. The principles of colour stand in the same relationship to painting as the rules of perspective with regard to drawing, neither can be neglected with impunity. These princi ples are not necessarily intuitive, but are to be learned by long, and often bitter experience. If the student will be guided by the experience of others, and adopt the rules set forth, so far as they commend themselves to his judgement, he may reap the fruit of their labours, and share with them the glory of success.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Theory of Colouring: Being an Analysis of the Principles of Contrast and Harmony in the Arrangement of Colours, With Their Application to the Study of Nature, and Hints on the Composition of Pictures, Etc
The Object of the present handbook is to place before the student, in a short and simple form, the theory Of artistic colouring. There are few who have not felt, in the earlier period of study, the want of general rules to guide them in the composition and arrangement of colour in a picture. Without entering into abstract and abstruse discussions on the nature of colour, a few Of its more practically-impor tant properties are pointed out, and general rules founded upon them. These are made so simple as to be easily understood, and so few as to be readily remembered.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Forgotten Books, London, Reino Unido
Paperback. Condición: New. Print on Demand. This concise guidebook presents a nuanced theory of color relationships and application in painting. Building upon insights derived from the analysis of pigments and historic artworks, the author advocates a systematic approach to creating harmonious and impactful color compositions. Departing from traditional color theory, the book introduces the concept of tertiary colors (brown, broken green, and gray) and provides a "diagram of color" that demonstrates how these colors interact with the primary (red, blue, yellow) and secondary colors (orange, green, purple) to produce a wide spectrum of hues. Practical advice on mixing and combining pigments, as well as exercises for developing the ability to perceive subtle color differences, make this book a valuable resource for artists seeking to enhance their understanding and application of color in their work. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Nº de ref. del artículo: 9781334042676_0
Cantidad disponible: Más de 20 disponibles
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781334042676
Cantidad disponible: 15 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781334042676
Cantidad disponible: 15 disponibles