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9781334041587: Information Concerning Graphite (Classic Reprint)

Sinopsis

Graphite is a soft, versatile form of carbon with two natural forms and several key uses. This edition explains how crystalline and amorphous graphite are used in crucibles, lubricants, paints, pencils, and many other products, as well as how artificial graphite from electric furnaces fits into the supply.

The book frames graphite as a material with important wartime and industrial roles, detailing domestic production, foreign sources, and the push toward greater independence from imports. It explains how grades differ for crucibles, foundry faces, and electrodes, and why price, quality, and transport shape the market.

What you’ll read about:
- How different grades of graphite are chosen for specific applications
- The balance between domestic and foreign supply, including Ceylon and Madagascar
- Costs, production challenges, and the impact of war on the market

- A clear overview of major uses, from crucibles to lubricants and pencils
- The role of artificial graphite and its growing importance in electrodes
- The factors that influence price, quality, and domestic industry viability

Ideal for readers of industrial history, trade analysis, and economic reports on natural resources.

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Reseña del editor

Excerpt from Information Concerning Graphite

Mica is use to some extent in lubricants, but is much inferior. The same may be said of talc. The latter, however, is a partial substitute for graphite in foundry work. Blast-furnace kish (graphite that separates from pig iron when it solidifies) offers undeveloped possibilities as a substitute for flake as a lubricant. There are numerous satisfactory boiler compounds that contain no graphite. Lampblack is used instead Of graphite in paints and polishes.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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