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The Popular Science Monthly, Vol. 3: May to October, 1873 (Classic Reprint) - Tapa blanda

Youmans, E. L.

 
9781333808839: The Popular Science Monthly, Vol. 3: May to October, 1873 (Classic Reprint)

Sinopsis

Excerpt from The Popular Science Monthly, Vol. 3: May to October, 1873

If thin plates of glass or metal be clamped in the centre, and fine sand scattered over the surface, they may be set into vibration, and the sand will be tossed away from certain parts of the surface and col lected in other parts, forming regular geometrical figures. The sand collects at the lines of rest, which are called nodal lines. Fig. 3 rep resents this experiment, the vibration being produced by a fiddle-bow, while the application of the fingers at different points determines the lines of rest and the geometrical figures. Fig. 4 represents a number of the beautiful patterns that were obtained by Chladni, who first drew attention to this interesting phenomenon.

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Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Reseña del editor

Excerpt from The Popular Science Monthly, Vol. 3: May to October, 1873

If thin plates of glass or metal be clamped in the centre, and fine sand scattered over the surface, they may be set into vibration, and the sand will be tossed away from certain parts of the surface and col lected in other parts, forming regular geometrical figures. The sand collects at the lines of rest, which are called nodal lines. Fig. 3 rep resents this experiment, the vibration being produced by a fiddle-bow, while the application of the fingers at different points determines the lines of rest and the geometrical figures. Fig. 4 represents a number of the beautiful patterns that were obtained by Chladni, who first drew attention to this interesting phenomenon.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from The Popular Science Monthly, Vol. 3: May to October, 1873
That niris the medium of sound is proved by the fact that, when vibrations occur in space void of air, the silence is not broken. If a bell suspended by a string in a vacuum be struck, nothing is heard, al though, if it is in contact with the jar, the vibra tions are communicated to the outer air, and sounds produced. That air transmits the kind of motion that it receives is also proved by the fact that it will take up vibrations at one point and communicate them to a distant object that is capable of vibrat ing in the same way.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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