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Bolton, Thaddeus L.

 
9781332190829: Rhythm, Vol. 6 (Classic Reprint)

Sinopsis

Excerpt from Rhythm, Vol. 6

When the demand for such a study is so great, and students are being urged to make a trial, that one who does attempt it, though he fail, cannot be accounted rash.

The experimental study of rhythm which is to be presented in this paper, is an attempt to push the lines Of exact science a little farther forward into a field that borders more closely upon the field of aesthetics than any other that experimental psychologists have tried. The attempt is to be made to re duce rhythm to a more fundamental activity Of mind. The pleasure that individuals take in the rhythmic flow of words and sounds has been ascribed' by one to the Unifying Ac tivity Of the Feelings, by another to a Sense of Order, and by still another to The Feelings Of Equality. Such explanations as these do not meet the question at all, unless it can be shown that such activities or feelings are ultimate facts of mind. If they are ultimate facts Of the mind, it will be necessary, in order to make the explanation complete and valid, to show how they underlie other activities, for it is not to be supposed that any fundamental activity will manifest itself in a single phenomenon which bears no relation to other phenomena. Such does not seem to have been done by those who have Offered explanations Of the rhythms in speech, and the problem remains just where it was taken up. TO re gard rhythm as the manifestation or the form of the most fundamental activities Of mind, seems a clearer view and to Offer less difficulties than to regard it as an ultimate fact in itself. The problem, then, 1s to show how and to what extent it underlies mental activity, and, as preparatory to this, what part it plays in physiology and nature. Is there not some universal principle which is adequate as an explanation of rhythm in general?

Rhythm is so universal a phenomenon in nature and in physiological activity, and underlies so completely speech, that I desire to call attention to some Of its manifestations in detail before presenting the experimental study.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Excerpt from Rhythm, Vol. 6

Although experimental psychology began more than a hundred years ago through the discovery of the personal equation, it has as yet covered but a small portion of the field of mental phenomena. The nature of sensation, the time relations of mental phenomena, memory, association, space and time concepts have been carefully studied by many eminent scientists. But the whole field of the emotions has been practically a mare clausum for psychologists. Several attempts to study and determine the nature of the simplest aesthetic forms have been reported; theories of pleasure and pain, supported by some experimental observations, have been advanced, but no serious attempt has been made to submit the emotions to experimental investigation. Every psychologist recognizes the necessity of doing so and that it is the most important field of mental phenomena, and that, until psychologists can reduce the motions to some semblance of order or more ultimate principles, experimental psychology can be said to cover only a part of the field of mental life. Every one is waiting for some one else to point out the way.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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9780267692422: Rhythm, Vol. 6 (Classic Reprint)

Edición Destacada

ISBN 10:  0267692420 ISBN 13:  9780267692422
Editorial: Forgotten Books, 2018
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