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Text-Book of Simple and Double Counterpoint: Including Imitation or Canon; Translated From the German (Classic Reprint) - Tapa blanda

 
9781332036424: Text-Book of Simple and Double Counterpoint: Including Imitation or Canon; Translated From the German (Classic Reprint)

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Excerpt from Text-Book of Simple and Double Counterpoint: Including Imitation or Canon; Translated From the German

The teacher, who has not preceded the writing of two-part counterpoint with the study of harmony and with exercises having predetermined chords, cannot do better than to instruct pupils in the writing and constant rewriting of exercises in the hepe that among many false efforts the desired counterpoint may be found.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Excerpt from Text-Book of Simple and Double Counterpoint: Including Imitation or Canon; Translated From the German

The present treatise on counterpoint must not be regarded as a more developed exposition of the ideas contained in my book, "New School of Melody", a work, which unfortunately, I erroneously entitled, "A Sketch of Counterpoint by a New Method".

While that text-book - which treated particularly of the subjects, figuration and analysis, and therefore an advanced course in harmony - was in the press, the thoughts embodied in the present volume were being formulated and matured, as may be seen verified in the preface of my "Musikalische Dynamik und Agogik".

The warning, so justly given by Prof. Dr. Bernhard Scholz, not to let counterpoint degenerate into harmonic figuration, I believe I have sufficiently considered. Harmonic figuration, as now taught, is an independent course coming between harmony and counterpoint; counterpoint, as it must always be, is the theory of the free invention of melody.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"Sobre este título" puede pertenecer a otra edición de este libro.

  • EditorialForgotten Books
  • Año de publicación2016
  • ISBN 10 1332036422
  • ISBN 13 9781332036424
  • EncuadernaciónTapa blanda
  • IdiomaInglés
  • Número de páginas222

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Hugo Riemann, S. Harrison Lovewell
Publicado por Forgotten Books, 2018
ISBN 10: 1332036422 ISBN 13: 9781332036424
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Paperback. Condición: New. Print on Demand. This book explores the art of counterpoint, a fundamental element of musical composition, and provides a comprehensive guide for aspiring musicians. The author challenges traditional approaches to counterpoint, arguing that a thorough understanding of harmony is essential for truly creative and expressive writing. He emphasizes the importance of analyzing the "cantus firmus" ââ â a given melodic line ââ â to understand its harmonic and rhythmical structure, which in turn informs the composition of the counterpoint. The book delves into various forms of counterpoint, ranging from simple note-against-note writing to more complex forms involving syncopation and multiple notes against one. Throughout, the author uses clear examples and exercises to illustrate his points, providing readers with a practical framework for developing their contrapuntal skills. The bookââ â¢s approach is grounded in the authorââ â¢s own pedagogical method, which aims to equip students with the necessary tools for independent musical creation while still acknowledging the importance of established principles. This book offers a unique and insightful perspective on counterpoint, demonstrating how a deep understanding of harmony can liberate the composerââ â¢s creativity and reveal the true potential of this fundamental musical technique. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Nº de ref. del artículo: 9781332036424_0

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Hugo Riemann
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ISBN 10: 1332036422 ISBN 13: 9781332036424
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781332036424

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Hugo Riemann
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ISBN 10: 1332036422 ISBN 13: 9781332036424
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: LW-9781332036424

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Hugo Riemann
Publicado por Forgotten Books, 2016
ISBN 10: 1332036422 ISBN 13: 9781332036424
Nuevo Paperback
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Librería: Revaluation Books, Exeter, Reino Unido

Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

Paperback. Condición: Brand New. 222 pages. 9.00x6.00x0.50 inches. This item is printed on demand. Nº de ref. del artículo: zk1332036422

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