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Text-Book of Simple and Double Counterpoint: Including Imitation or Canon; Translated From the German (Classic Reprint) - Tapa blanda

Riemann, Hugo

 
9781332036424: Text-Book of Simple and Double Counterpoint: Including Imitation or Canon; Translated From the German (Classic Reprint)

Sinopsis

Master the craft of counterpoint with a classic method by Hugo Riemann.

This edition presents clear, step‑by‑step guidance on simple and double counterpoint, canons, and related techniques, helping students build solid technique from first principles to advanced practice. This book frames practical exercises around cantus firmus ideas, rhythmic analysis, and voice‑leading. It emphasizes rational, logical writing and shows how to develop independent parts while preserving musical cohesion. The material progresses from two‑part counterpoint to three and four parts, including rhythmically free and imitative forms, with extensive model examples and problem sets.

  • Foundations of simple and double counterpoint with note‑against‑note writing
  • Progression to three and four voices, including parallel thirds and sixths handling
  • Canon and imitation sections, plus guidance on rhythm, cantus firmus, and modulation
  • Appendices and cantus firmi for practical exercises to reinforce learning
Ideal for students of music theory, composition, and those seeking a thorough, instructor‑style path to mastering contrapuntal technique.

Ideal for readers of classical theory and students working through rigorous counterpoint training.

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Reseña del editor

Excerpt from Text-Book of Simple and Double Counterpoint: Including Imitation or Canon; Translated From the German

The teacher, who has not preceded the writing of two-part counterpoint with the study of harmony and with exercises having predetermined chords, cannot do better than to instruct pupils in the writing and constant rewriting of exercises in the hepe that among many false efforts the desired counterpoint may be found.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from Text-Book of Simple and Double Counterpoint: Including Imitation or Canon; Translated From the German

The present treatise on counterpoint must not be regarded as a more developed exposition of the ideas contained in my book, "New School of Melody", a work, which unfortunately, I erroneously entitled, "A Sketch of Counterpoint by a New Method".

While that text-book - which treated particularly of the subjects, figuration and analysis, and therefore an advanced course in harmony - was in the press, the thoughts embodied in the present volume were being formulated and matured, as may be seen verified in the preface of my "Musikalische Dynamik und Agogik".

The warning, so justly given by Prof. Dr. Bernhard Scholz, not to let counterpoint degenerate into harmonic figuration, I believe I have sufficiently considered. Harmonic figuration, as now taught, is an independent course coming between harmony and counterpoint; counterpoint, as it must always be, is the theory of the free invention of melody.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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