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Sinopsis
Excerpt from A Grammatical Inquiry Into the Language of Lord Byron
Hours of Idleness. The Island. The Lament of Tasso. Lara. Manfred. Marino Faliero. Mazeppa. Hebrew Melodies. Miscellaneous Poems.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from A Grammatical Inquiry Into the Language of Lord Byron
Hours of Idleness. The Island. The Lament of Tasso. Lara. Manfred. Marino Faliero. Mazeppa. Hebrew Melodies. Miscellaneous Poems.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from A Grammatical Inquiry Into the Language of Lord Byron
There are a great many points of difference between the language of Lord Byron and the rules that are established by the English grammarians of this day. Forms and idioms now regarded as incorrect or archaic are far more frequent with him than with most other poets of his time. Byron is by no means particular about his grammar. Far from keeping within the narrow limits of grammatical correctness, he masters and forces his language as he chooses, making ample use of all the poetical licenses imaginable. That is why grammatical imperfections, archaic and obsolete words, bold and unusual constructions, loose and careless phrases abound throughout his poems. For instance, what a variety of archaisms in 'Childe Harold's Pilgrimage', especially in the first canto, where the poet evidently strives to imitate the English language spoken in times of yore! Thus, from a grammatical point of view, his works strongly remind us of Shakspere and the Elizabethan age, inasmuch as not a few of the idiomatic peculiarities of that time (such as are pointed out by Abbott in his 'Shakespearian Grammar' or by Franz in his 'Shakespeare-Grammatik') are likewise to be found in Lord Byron's works.
The following pages, therefore, are meant to be an attempt towards a 'Byron Grammar', that is to say, an enumeration of the most salient points of grammatical difference between his language and our modern usage. Though completeness is not aimed at, yet it is hoped that the most important and interesting irregularities will be mentioned.
Abbreviations.
The works of B. (Lord Byron) are referred to as follows:
Age ... The Age of Bronze.
Bards ... English Bards and Scotch Reviewers.
Bep ... Beppo.
Blues ... The Blues.
Bride ... The Bride of Abydos.
Cain ... Cain.
Childe ... Childe Harold's Pilgrimage.
Cors ... The Corsair.
Curse ... The Curse of Minerva.
Def ... The Deformed Transformed.
D. Juan ... Don Juan.
Fosc ... The Two Foscari.
Giaour ... The Giaour.
Heaven ... Heaven and Earth.
Hints ... Hints from Horace.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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A Grammatical Inquiry Into the Language of Lord Byron (Classic Reprint)
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Paperback. Condición: New. Print on Demand. This book, a comprehensive examination of the evolution of language in the works of Lord Byron, offers a unique scholarly exploration of the distinctive grammatical style and linguistic idiosyncrasies employed by the celebrated poet. Analyzing the historical context of Byron's writing, the author notes Byron's notable divergence from the grammatical norms established by English grammarians of his time. Through numerous examples, the author illuminates Byron's mastery of language, highlighting his artistic license with grammatical forms and his incorporation of archaic and obsolete words. Beyond its specific focus on Byron's language, the book also provides valuable insights into the broader literary landscape of the Romantic era, shedding light on the evolving conventions of English grammar and usage during that tumultuous period. In doing so, it contributes to our understanding of the dynamic relationship between language and literary expression. This groundbreaking study will appeal to scholars of English literature, linguists, and anyone interested in the intricacies of language and its role in shaping literary masterpieces. Its detailed exploration of Byron's unique grammatical style offers a fresh perspective on the poet's craft and cements his enduring legacy as a linguistic innovator. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Nº de ref. del artículo: 9781331994046_0
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