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Materials for Latin Prose (Classic Reprint) - Tapa blanda

Frost, Percival

 
9781331615606: Materials for Latin Prose (Classic Reprint)

Sinopsis

Excerpt from Materials for Latin Prose

Consequently all verbs of warning, reminding, persuad ing, and the like, have double constructions: when used in the sense of warning; the. A man to do a thing, they take, by the last rule, a conjunctive with ut, denoting the purpose of the warning, &c. Moneo te at [we facias, 'i warn you to do this.' When _used in the sense of warning or reminding a man that something has been done, they are constructed like words of asserting, and so take the infinitive Moneo te hoc factum esse, 'i remind you that this has been done.'

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Reseña del editor

Excerpt from Materials for Latin Prose

Consequently all verbs of warning, reminding, persuad ing, and the like, have double constructions: when used in the sense of warning; the. A man to do a thing, they take, by the last rule, a conjunctive with ut, denoting the purpose of the warning, &c. Moneo te at [we facias, 'i warn you to do this.' When _used in the sense of warning or reminding a man that something has been done, they are constructed like words of asserting, and so take the infinitive Moneo te hoc factum esse, 'i remind you that this has been done.'

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from Materials for Latin Prose

As Rome was not built in a day, so the art of writing her language is not to be acquired by reading a short preface or a few rules. In truth, in the acquisition of this skill, there are two distinct stages: he who arrives at the end of the first will be yet far distant from the completion of the second. The first point to aim at is the avoidance of syntactical errors; and to this end rules are available and useful. Experience shows that successive learners run through nearly the same round of mistakes, until one can predict, in any given piece, without much chance of failure, where the error will intrude. Of course there are exceptions to this, and perverse ingenuity will always find 'ample room and verge enough,' and new worlds to conquer. Still, in the main, the errors of those who have recently left the usual exercise books can be reduced to a few heads.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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